Les Films Cissé

A young man with magical powers journeys to his uncle to request help in fighting his sorcerer father.

Fatou Cissé accompanies her father, malien director Souleymane Cissé, through a trip down his film career, painting an intimate and poetic picture of one of Africa’s most celebrated actors.

Two Malian teenagers, Bah and Batrou, from different backgrounds, meet at secondary school. Bah is the descendent of a great tribal chieftain. Batrous father, a provincial military governor, represents the new ruling power. The two teenagers are part of a generation that rejects the established order and challenges the society in which they live.

A Westernized filmmaker, Issa, is a polygamist whose third wife Mimi is a doctor and high-profile health minister. Accustomed to a certain degree of empowerment and independence from her husband (deciding to stay in her own house instead of moving into his household), Mimi carries on a not-too-subtle affair with the married Abba, a fishmonger who sends her a tell-tale case of fish after each encounter as a token of his affection. Confronted by Issa with his suspicions of infidelity after he finds Abba in the courtyard, Mimi decides to file for divorce, a move that soon brings on a new set of complications, as relatives plead for reconciliation to avoid the shame, Issa's second wife increasingly resents the attention paid to Mimi, and Abba's wife begins to grow suspicious of Mimi's role in her husband's life.

Bamako. Several women are illegally evicted from their home in 2008. Their brother, Souleymane Cissé, takes up his camera to look back at his childhood and family history in a country heading for war despite a tradition of tolerance.

Meeting of two greats, Cissé's tribute to the dean of African cinema is without discours, without pathos. It is the one returned by his mini camera, which attends the funeral ceremonies that marked the departure of Ousmane Sembene in Dakar, and finds the relatives of Sembene in the house he had built in Yoff, directly on rocks beaten by the ocean. These simple and close images, with a distance from the ceremonial that Sembene would have appreciated, those briefly borrowed from his films and archives, weave a film full of friendship and fraternity.