After destroying his older brother's motorbike in retaliation for his constant bullying, 11-year-old Krishna is sent to a traveling circus to earn money to pay for the bike's repairs, but soon winds up in the streets of Bombay's poorest slums. There, he befriends the drug dealer Chillum and young prostitute Sola Saal, while trying to make enough money at a neighborhood tea stall to repay his debt to his family.
The film follows a scrappy taxi driver's fortunes as he tries to break out from the clutches of poverty, devising plans and investing all his money in a dubious schemes which eventually blow out on him, coming under the eye of unscrupulous politician and local goons, yet he still perseveres for his dreams.
Set in the Bengali Renaissance of the 1930s and 1940s. A group of young intellectuals get embroiled in the struggle for Indian independence, sometimes at the expense of their personal lives.
The debate on death penalty is loud and impassioned. Instead of echoing that cacophony, The Death of Us, quietly reflects on a range of cases in which the death penalty was pronounced. Sometimes, ending in the execution of the convicted; sometimes in commutation to a life sentence; and sometimes to acquittal and release. Speaking to some who have been on death row, and others closely involved with the cases, we engage in complex conversations on crime and punishment, revenge and justice, popular rhetoric and personal experiences. Only to find ourselves confronted by larger ethical and moral questions across time and space.
Chokkalingam, an old man, moves out of town after his wife's death and goes to live with Vasu, his nephew in Chennai. However, Vasu struggles to bear the cost of an additional member in his family.
When a poor and out-caste village tanner goes to village priest to get the date of his daughter's marriage fixed, the priest in turn asks for labor without pay in exchange.
Mammo is an account of a certain period in the life of Riyaz, a teenager who lives with his grandmother Fayyazi as they get a visit from his grandma’s sister Mehmooda Begum Anwar Ali, commonly known as ‘Mammo’.
Mumbai, 1992. Naseem, a 15 year-old schoolgirl, lives with her grandfather and grows up with stories of pre-independence communal harmony. Later, she helplessly watches the communal situation regression with the demolition of Babri Masjid.
Why do we have such a contentious relationship with the idea of dying? What keeps us from looking at death, or the dying, in the eye, from making peace with the process? The Film wonders if the process of dying can become meaningful and if embracing our own mortality might be the key to a more fulfilling life.
Women of rural Punjab have long forgotten to sing the songs of harvest in the midst of escalating farm suicides. The Film witnesses the march of widows of the 'Green Revolution' in Punjab as they re-negotiate the rules of engagement and the politics of domination, in their bid to survive. For the first time, Candles in the Wind tells the story from inside this area, known as the green reserve of India, a place which is relentlessly transforming itself into a social desert, where women are obliged to take over dramatic situations without any form of protection or assistance. Their struggle gives us a window into the social-economic flux in rural India - a nuanced understanding of the silent under-currents of a gender-specific struggle in the larger narrative of surviving as a farmer in these times.
As a call from the periphery of sanity, the film is a series of dream narratives, and accounts of spiritual possession as experienced by women 'petitioners' at the shrine of a Sufi Saint in North India.
Beena, a villager married to a man in the city, is shocked to find that her husband has left the house. She begins to provide for the family, but faces issues when she falls in love with a co-worker.
Nallamuthu and Vadivu face several hardships due to the rising poverty and are forced to send their three children to work as child laborers.
The memoir of a woman married to an orthodox Brahmin philosopher who converts to Christianity, her story explores issues of religious barriers, disillusionment,and romantic devotion.
A film about home and belonging, tracing the filmmaker's personal journey to understand what it means to be a Muslim in India today.
The Film investigates the state of news in India. Journalism is up for sale and selling of editorial space has become both blatant and institutionalised.
Shot in the monsoon of 2018 in the Mirya creek in Maharashtra, the film records the unfolding of fishermen and fishing processes in the village of Mirya. It seeks to highlight some of the troubled and lived realities of the fishing community in the current times in an Indian village. The film is also a deliberation on the process of production of the film itself.
The film set in the 1940s, in a fictitious village in the Shekhavati region in Rajasthan, where no girl child survives beyond the age of seven. It deals with larger issues of communalism and caste system through four inter-related stories.
A pair of monkeys decide to break free from their human handler who ill treats them.
