Vernes

In her most recent film, Linda Kallistová Jablonská observes three girls growing up in a residential facility in Počátky, Czech Republic, over the course of ten years. She explores their dreams about liberty, the reality they must face as well as their ideas about their own future families. The sequel to her first longitudinal documentary about Adéla, Denisa and Pavla captures the rocky road to independence after leaving the facility, their reconciliation with the past, job search, new relationships, small joys and big disappointments. Not only does the director draw an empathic portrait of three young girls with no-one to rely on but themselves; she also explores the ways in which public institutions form young people’s attitudes to life.

Daniel is a young man. Daniel is a student and a writer. Also Daniel is a pedophile. He is in love and makes no secret of his sexual orientation; even not in front of the parents of his beloved boy. Daniel has never hurt any child. What is the way of the most intimate of feelings in Daniel's and his friends' heart? The film introduces the rises and falls of people living with pedophilia. It portrays Daniel and the Czech community of pedophiles. It narrates a story of forbidden love and a constant struggle to come to terms with oneself and the society.

Three separate stories – a mother, her teenage daughter, and a police officer – converge thanks to one event: the titular incident, wherein a dog is injured.

Gifted Carmelite novice Constance must make a choice: to pursue her vocation and obey, or to defy the lost hopes of all the other Sisters regarding her dying Superior.