Regal Entertainment Inc.

A witty sex comedy about two young cousins who trade places for their courtship strategies which end up hilarious.

A mother and her daughter—who are both victims of incest-rape perpetrated by the same man now languishing in jail—are approached by a couple of filmmakers with an offer to produce a movie based on the two women’s true story. They hesitate on the idea at first but agree eventually for the sum of money they will be paid in exchange for selling the rights to the material. When the finished film is finally shown in theaters, they proceed to the city all the way from their hometown to catch the screening. They are elated at the prospect of seeing the larger-than-life versions of themselves. But as the motion picture gradually unfolds before their very eyes, they instead go through another harrowing experience of a lifetime.

The movie follows a group of teenagers that are terrorized by an evil spirit. The film revolves around the traditional Filipino belief that one should never go home directly after visiting a wake since it risks bringing evil spirits or the deceased to one's home.

In a crowded, multi-appartment house, a young student peeps on his neighbours making love and subsequently develops a steamy affair with the neighbour's wife. The affair slowly becomes an obsession and spins out of control.

This Filipino vampire film co-directed by Peque Gallaga and Lore Reyes tells the story of an aswang, the traditional shape-shifting creature of local legend. Here, the vampire makes appearances as a giant snake, a young woman (Alma Moreno), and a withered old hag (Lilia Cuntapay). The aswang has a lengthy cinematic history, having been the subject of the first sound film ever produced in the Philippines (1932's Ang Aswang) and migrating, in somewhat altered form, to films in Hong Kong, India, Japan, and, in 1994, to the United States. Aiza Seguerra co-stars with Janice de Belen, Aljon Jimenez, John Estrada, and Alma Moreno.

A bored young housewife falls prey to the sexy charms of a prank caller. As she finds herself deep into the secret carnal pleasures of phone sex, she likewise finds herself consumed by the fires of the dark, wild and dangerous thrills of promiscuity.

A nun who acts as a counselor in a home for unwed mother undergoes political awakening when her friend and namesake belonging to the same congregation as hers inspires her to get involved in the struggle for justice and freedom of striking workers in a cooking oil company.

After realizing that prostitutes are not entitled to the best part of love making, two sex workers form a screwy relationship as "cuddle partners" only to realize that they want something more.

In this movie, the abuwak race is being threatened by extinction. The only way they can grow in numbers again is through the rare ability that only the soon-to-be queen of the abuwaks, Hasmin (Lovi Poe) possesses.

Melinda Uy is a half-Filipino, half-Chinese struggling mother to four children married to a full-Chinese blood man. Her family was believed to bring curse to Olive's famiily. Because of this, Melinda was not accepted by Uy's family as one of their members. Melinda's struggling as a mother begand when she has nothing else to do but to strive and work more.

After the death of his father, Alex goes back to his native island to find inner peace. There he finds three girls longing for him.

Nobody can stop them from falling in love.

Zach is a rich boy forced to find and keep a job after a major blunder in a company he set up. He ends up working for ­Evelyn, whom he discovers to be the boss from hell. In the long run, he sees her for who and what she really is. Meanwhile, Evelyn is an uptight and tough Brand Manager who hires an assistant Brand Manager. When she finds herself dumped by her boyfriend, Evelyn seeks comfort in Zach, her assistant who shows a different side of him. As they get to know each other more and as their encounters become more intimate, they begin to ask themselves if what they feel for each other is for real. The problem is romance between boss and subordinate in a company is not allowed. Things get complicated when an office romance develops between the unlikely pair.

After a string of failed relationships, two best friends make a deal to take risks and look for love again — but they might just find it in each other.

A young woman recalls how her father (a fallen priest), her mother (a woman with a secret past) and her teenage sister returned with her to live in their ancestral home after the family business failed. She was plagued with mysterious problems of sleepwalking and began a romance with a young man who tried to cure her.

Viveca is happily married to Cholo, a renowned and respected psychiatrist. Unknown to many, Viveca, has long been leading a double life. She has an appetite for men, for quick, and sometimes very dangerous sexual adventures, be it real or fantasy. There is no question in her mind how much she loves her family. Viveca had a one-time affair with Andre, a DJ who is bored with his life. He surrounds himself with toys from drugs to race cars to Dahlia, who is more a girl toy than a girlfriend. A one night stand with Viveca gives Andre the speed he has been looking for: a forbidden love affair with a very attractive married woman. He pursues Viveca like there is no tomorrow. Viveca tries to distance herself from Andre, but he proves to be too stubborn for her. Complications upon complications set it. Should Viveca remain secretive of what is happening or continue living a life of deceit.

A snake creature secretly lurks inside a shopping mall. A family is fed a meal that turns them into monsters. An airplane hijacking is interrupted by the birth of a tiyanak.

Happily Ever After is a trilogy. Each is a love story with a touch of magic, comedy and whimsy. Tying all the segments together is a seemingly fake fortune teller, who uses a science sphere she got at a novelty store as a crystal ball!

During the Chinese Revolution in 1949, young Chinese copra trader named Fong-Huan marries Elisa, a young and pretty Filipina. The couples children, Daniel and Linda, were raised in a mixture of Chinese and Filipino-Hispanic tradition. These richly cultured people are the ancestors of a dysfunctional third-generation family whose daughters tell their own stories of joy, struggle, and the complex realities in the life of Filipino Chinese families.

Trisha, a Filipino transgender woman, suddenly dies while being crowned in a beauty pageant. Her last wish was to be presented as a different celebrity on each night of her wake, but her conservative father wants to bury her as a man.