Al Jazeera Documentary Channel

On a handmade set re-creating her Casablanca neighborhood, a young Moroccan filmmaker enlists family and friends to help unearth the troubling lies built into her childhood.

In the past 40 years, the War on Drugs has accounted for 45 million arrests, made America the world's largest jailer, and destroyed impoverished communities at home and abroad. Yet drugs are cheaper, purer, and more available today than ever. Where did we go wrong?

In 2021, the border area between Poland and Belarus became a forbidden zone, three kilometers wide, where refugees found themselves brutally trapped. They had become the stakes in a political game: Belarus supposedly guaranteed free passage to the EU, but in Poland the refugees met with pushbacks, forcing them back across the border. Once in Belarus again, they were driven back towards Poland—a horrific stalemate in an inhospitable landscape of treacherous marshes.

Six stories from Italian Islam. As in the rest of the country, in Bologna, intolerance and attempts at dialogue coexist, ghetto neighborhoods and second generations fighting, crime and everyday life.

Mohammed El Kurd is a Palestinian boy growing up in the neighbourhood of Sheikh Jarrah in the heart of East Jerusalem. When Mohammed turns 11, his family is forced to give up part of their home to Israeli settlers, who are leading a campaign of court-sanctioned evictions to guarantee Jewish control of the area. Shortly after their displacement, Mohammed’s family and other residents begin peacefully protesting against the evictions, determined not to lose their homes for good. In a surprising turn, they are quickly joined by scores of Israeli supporters who are horrified to see what is being done in their name. Among them is Jewish West Jerusalem resident Zvi Benninga and his sister Sara, who develop a strong relationship with Mohammed and his family as they take on a leading role in organizing the protests.

Mahmoud Darwish was a Palestinian poet and author who was regarded as the Palestinian national poet. He won numerous awards for his works. Darwish used Palestine as a metaphor for the loss of Eden, birth and resurrection, and the anguish of dispossession and exile.

Mubiru Reagan's life depends on a football scholarship. His dream is to emulate his idol, Fernando Torres, and be able to score a goal that will take his country, Uganda, to their first African Nations Cup. But above all he wants to study. Featuring Fernando Torres, Sergio Ramos, Yaya Touré and Vincente Del Bosque, this inspiring story reveals the power of football to change the lives of some of the poorest children in the world.

Set against the turbulent backdrop of Iranian history over the last 40 years, Silent House tracks the fortunes of three generations of an upper-middle-class Iranian family. At the center of the story stands the century-old house in Tehran in which the family lived through both happy and tragic times.

A Musical Journey is an intimate portrait of the Palestinian oud and violin virtuoso Simon Shaheen and his influential career as composer, performer and educator. Born into a musical family and educated at the Academy of Music in Jerusalem, Shaheen arrived in America in 1981 to a landscape where traditional Arab music was little known. His passion for and commitment to sharing the music’s complexities come to life as he teaches and performs in vibrant musical performances that energize the film.

Argentina’s capital Buenos Aires has the largest concentration of football clubs in the world. The most famous is Boca Juniors, having most of Argentina’s population as loyal fanatics. This documentary follows Boca Junior super-fans as they reveal how and why they became the voice for the common man and woman.

Turkish soap operas have taken the world by storm, conquering the hearts of millions of viewers in the Middle East, North Africa, the Balkans and Asia. With unprecedented access to the industry’s most glamorous actors and creative talent, Kismet unravels the secrets of this phenomenal success that transcends religion and culture. From the lavish production sets of the most popular Turkish soap operas, the film travels to streets and homes in Cairo, Abu Dhabi, Istanbul, Athens, Sofia and Mostar, to discover how these taboo-breaking soaps are helping women across the region to claim their rights and transform their lives.

13-year-old Khodor is a child whose family tries to issue him an ID document that proves his existence and gives him the right to education, health-care and movement outside of the Palestinian refugee camp of Shatila in Beirut, Lebanon. Through the process, many of the family's old secrets are revealed.

Winter 2019. Spanish war photographer Gervasio Sánchez, who documented with his camera the long and tragic siege of Sarajevo during the Bosnian War (1992-95), returns to the city in search of the children he met among the ruins, those who survived to grow up, live and remember.

After a fifteen-year absence, Farah returns to Lebanon to live with her ageing father. There, the two try to find a common language that will allow them to have one last conversation. Ultimately, that language will turn out to be the only one he understands: poetry. As the sounds of revolution echo outside, Farah Kassem creates a deeply moving work, an intimate yet open portrait of her country in crisis.

The Museum of the Revolution in Belgrade is actually a building that remained unfinished for 60 years and 'inhabited' only by the homeless and marginalized. The director observes the precarious (but proud) daily life of a girl and her mother around the symbolic ruins of a utopia.

The largest country in the Arab world and a producer of hydrocarbons, Algeria has everything it needs to weigh on the international scene. But Africa's second military power seems undermined by its internal problems. While the Bouteflika regime has fallen and the popular “hirak” movement has shown that the people are ready to enter a more democratic era, the country appears as a colossus with feet of clay, which has failed enhance their independence. How did this isolation come about? From the “dark decade” of terrorism to the fall of Bouteflika, via 9/11 or the Arab revolutions, this documentary sheds light on Algerian foreign policy in recent decades, while deciphering the strategy of Western powers towards it.

The artistic journey of Dahmane El Harrachi, born in 1925 in Algiers, bears the mark of his experience. An attentive and vigilant observer of the environment of immigrant workers, Dahmane has always avoided falling into the ambient miserabilism. From the Algerian Chaâbi, he has kept certain melodic lines and a clear propensity for sayings drawn from the oral poetic tradition. El Harrachi uses simple language, understandable by all popular sectors of the Maghreb, which partly explains its wide success. In 1949, he went to France and it was in cafes, springboard places where people come to breathe the air of the country, that he performed regularly. Elegant, with his beautiful atmosphere, the “bluesman” of the suburbs seduces, upsets and stirs consciences. Discovered late by the new generation, the creator of Ya Rayah met a tragic end, on August 31, 1980, in a car accident, on the Algiers coast which he sublimated above all else.

“A land without a people, and a people without a land” is how the relationship between Palestine and the Jewish people was described by Christian writers in the 1800s. And the 20th-century history of the Middle East has largely been written through these eyes. But this film from Al Jazeera Arabic looks at Palestine from a different angle. It hears from historians and witness accounts, and features archive documents that show Palestine as a thriving province of Greater Syria and the Ottoman Empire at the dawn of the 20th century. The evidence suggests that its cities had a developing trade and commercial sector, growing infrastructure, and embryonic culture that would enable it to meet the challenges of the decades ahead. This film is the other side of the Palestinian story.

On a road trip, Ahmed a train conductor is torn between his loyalty to the old Tunisian railway company and his personal aspirations, while Fitati, his colleague, chooses to become a whistleblower on train accidents.