During the war years, russian soldiers pick up an orphaned boy. He refuses to go to the rear and becomes a scout, and then remains with the artillery battery. When the calculation of the battery dies in battle with the German tanks that have broken through, Vanya is sent to the Suvorov School, whose students participate in a military parade on Red Square.
A life-long story of a romantic school teacher who left imperial St. Petersburg for teaching country children. Driven by noble intentions to enlighten people and examples by 1880s revolutionary "People's Will" member teachers, a young woman spent her life in a village and evidenced the changes a Russian village has undergone from pre-revolutionary tsarist times to late 1940s.
The film is about the exploit of a nineteen-year-old soldier of the Great Patriotic War - Alexander Matrosov, who covered the embrasure of the enemy's bunker with his body.
Young Maxim grows up under the czarist regime with his grandparents as guardians. Continually demeaned by his martinet grandfather, Maxim is drawn to his warm-hearted grandmother, who instills in him the willingness to pursue his writing muse.
Two look-alike boys, one a poor street kid and the other a prince, exchange places to see what the other's life is like.
A beautiful maiden, Marya Morevna, gives her prospective husband, the mighty warrior Nikita Kozhemyaka, three riddles to solve before she'll marry him. Before he can tell her the answers, the Russian land is invaded by the armies of Kashchei the Immortal, in whose footsteps death and destruction follow. Marya is abducted by Kashchei, and Nikita finds his home in ashes. Nikita meets a kindly wizard who gives him a cap of darkness. With it, the hero will find a way to save his bride and rout Kashchei.
My Universities (Moi universiteti) is the last installment of Russian director Mark Donskoy's "Maxim Gorki" trilogy. Having endured a painful youth in My Childhood and a torturous sojourn as a serf in My Apprenticeship, future writer Gorki reaches maturity with an insatiable desire for personal and artistic freedom. The "university" of the title is actual the school of Hard Knocks, as Gorky goes to work in the shipyards and commisserates with the hard-drinking, philosophical dockworkers.
A classic movie based on a famous "Dick Sand, A Captain at Fifteen" novel by Jules Verne.
The true story of one of Russia's most beloved national heroines. During the Nazi siege of Moscow, a fearless 18-year-old girl named Zoya risked her life as a partisan fighter. Captured by the Germans, Zoya endured unspeakable tortures at the hands of the Gestapo but still refused to betray her comrades. Even on the gallows, Zoya defiantly spoke out against the Nazis and everything they stood for. In a series of flashbacks, this film re-creates not merely Zoya's death, but also her life.
Adapted from four different Russian folk-tales, this early Soviet fantasy film tells the story of Emelya the Fool, who, fishing one day, catches a talking pike who pleads for his life and in return grants Emelya wishes for a life spared.
The hero - an absent-minded person from Basseinaya Street - goes not to Moscow, but to the opening of a children's railway. The pioneers invite him there. And this time the character finds himself in a lot of funny situations along the way. However, he still manages to open the railway. The picture ends with a march performed by schoolchildren.
The film is about the Soviet youth who fearlessly fight in the years of the Great Patriotic War against the Nazi invaders in the German-occupied Donbass and continue the work of their fathers, who in their time defended the Soviet Union.
A story about the boys and their life during the WWII. Based on Lev Kassil book.
All the girls of one of the Moscow houses can tirelessly jump over a skipping rope. But little Lida did: can't learn to jump. Once in a dream a wise elephant gives her a piece of advice: to learn how to jump, you must first do a good deed...
Chronicle of the life of Russian poet Michail Lermontov, from the final days of Alexandr Pushkin to the fatal destiny of the poet himself.
