The Cameraman's Revenge

The Cameraman's Revenge 1912

7.02

A jilted husband takes his revenge by filming his wife and her lover and showing the result at the local cinema. This was one of Starewicz' first animated films, and stars a cast of animated beetles.

1912

The Dying Swan

The Dying Swan 1917

6.50

After being betrayed by her playboy lover, a heartbroken mute young woman joins a ballet company; during a performance of “The Dying Swan,” she enraptures a painter obsessed with portraying death genuinely.

1917

After Death

After Death 1915

6.20

Young scholar Andrei, fascinated by haunting actress Zoia Kadmina, is surprised when she sends him a note. The two have a brief scheduled meeting, then three months later Andrei is shocked to learn she has died. He becomes obsessed with Zoia's memory and decides he must find out all that he can about her.

1915

Wicked Night

Wicked Night 1914

1

A young man discovers the reason his new bride killed herself.

1914

For Happiness

For Happiness 1917

6.20

Since Zoya Verenskaya's husband passed away ten years ago, she has been devoted to her daughter Lee. At present, Lee is in poor health, and she is in danger of losing her eyesight. Zoya's suitor Dmitry wants to get married, but Zoya is determined to wait until Lee is better. Then, on a vacation in the Crimea, they learn Lee's true feelings for Dmitry, and suddenly all of their lives are thrown into turmoil.

1917

Leon Drey

Leon Drey 1915

1

A Jewish parvenu climbs the social ladder by seducing wealthy women.

1915

Woman of Tomorrow

Woman of Tomorrow 1914

5.00

A female doctor is so busy with her work that she has too little time for her fiancé. He falls in love with a waitress and the two have a child. Though considered by some to be a proto-feminist yarn, the film dwells on the consequences that equal rights for women may generate rather than openly champion suffrage. Similar in to Ibsen's The Doll House in many ways, the film provides mannered, solemn melodrama, ably acted by Mosjoukine and Yureneva.

1914

The King of Paris

The King of Paris 1917

5.90

This film was the last work of Yevgeni Bauer. At work on the film previous, For Happiness («За счастьем») Bauer broke his leg, and he shot his last film while in his chair, but soon fell ill with pneumonia. He began shooting in early summer of 1917. But he was soon placed in Yalta hospital and 9 June 1917 he died.

1917

Twilight of a Woman's Soul

Twilight of a Woman's Soul 1913

6.00

Despite living in luxury, Vera is lonely and discontented. When she accompanies her mother, the Countess, on a charity visit to the poor, she is troubled by what she sees, and she resolves to do whatever she can to help them…

1913

Silent Witnesses

Silent Witnesses 1914

5.80

In order to allow another servant to go home to be with her children, Nastya agrees to serve in her place, as a maid in the household in which Nastya's grandfather is a porter. Soon afterwards, the woman who owns the house goes on a trip, leaving her son Pavel at home. Pavel is engaged to Ellen, but Ellen flirts openly with other men. Nastya and the servants quickly realize that Ellen is having an ongoing romantic affair with Baron von Rehren. This puts the servants, and especially the sensitive Nastya, in a painfully uncomfortable position.

1914

The Grasshopper and the Ant

The Grasshopper and the Ant 1913

5.70

An ant works to prepare for winter while a drunken grasshopper plays his violin and dances away his time. When the snow arrives, the grasshopper pleads with the ant for shelter and is turned away to die.

1913

Miss Meri

Miss Meri 1918

1

Based on the novel The Man Who Killed by Claude Farrère.

1918

The Insects' Christmas

The Insects' Christmas 1913

6.80

A Father Christmas ornament climbs down from a decorated tree, and goes to the forest. There he creates and decorates a Christmas tree for the forest creatures. He then invites all the insects, along with a friendly frog, to come and enjoy the gifts he has prepared, and to celebrate Christmas.

1913

Child of the Big City

Child of the Big City 1914

5.50

Seamstress Mary dreams of a better life outside a sweatshop. Her dreams come true when she draws the attention of the bourgeois Victor. She soon tires of him, and thanks to her, his money is almost gone. When he suggests settling down outside the big city, where his money could be enough for a modest living, she leaves him and picks up a new lover. A year later, he is living in a shabby, cold hovel, still pining away for her.

1914

The Little House in Kolomna

The Little House in Kolomna 1913

5.30

Based on the story by Pushkin. Pretty young Parasha is living with her widowed mother. Parasha diligently takes care of many household tasks, but she also enjoys flirting with the guards's officers who pass by her window, and she has one particular favourite. One day, Parasha's mother asks her to hire a cook, and to do so as cheaply as possible. Parasha and her beau soon see a way to use this situation to their own advantage.

1913

Defence of Sevastopol

Defence of Sevastopol 1911

4.50

First film ever that was shot by two cameras. Set in 1854-1855, in Sevastopol and Yalta during the Crimean War. Admirals Kornilov (Mozzhukhin) and Nakhimov (Gromov) organize the defense during the siege of Sevastopol. Both admirals are killed during the battle, and the city of Sevastopol is taken by the alliance of British, French, Sardinian, and Turkish troops. The legendary feat of Sailor Koshka (Semenov) was staged at original location. The 100 minute-long film was premiered in 1911 at the Livadia, Yalta, palace for the Tsar Nicholas II.

1911