Radio Bremen

Frank Lehmann, 20, still lives with his parents in the dreary high-rise housing project "Neue Vahr" in Bremen. It's the year 1980 and Frank gets drafted to the army even though his friends assure him that "he's not really the guy for it". When he gets back home, after his first week at the army, his Dad has turned his room into a TV repair shop, so Frank has to move out. Luckily his old friend Martin is starting a commune with two other Punks in Bremens leftist borough "Viertel". Frank, without further ado rents the unlivable walk-through room. From now on Frank is a traveler between the Worlds. Each week he goes from the Army, with all the unconditional rules and regulations to the commune where his friends are preaching the world revolution. Frank is trying to avoid to stick out, but fails miserably, in both worlds.

Painting is an unacceptable vocation for a woman in provincial Germany in the year 1900, but budding artist Paula Becker is determined to make her own rules.

Emma Freese is desperate when her husband Alfred falls ill at the Howaldtswerke in Kiel. How is the family supposed to get by without their wages? The war has scarred this generation, but now things are supposed to be looking up. The workers want their fair share and are fighting for an income that also gives them room to live. In October 1956, 34,000 metalworkers in the shipyards and factories of Schleswig-Holstein walk off the job to fight for justice and their dignity. This strike is still regarded as the toughest and longest in Germany. Employers and politicians stand in the strikers' way.

For the USA, World War 2 was an all-out war - to mobilize the masses, the US government launched a huge propaganda campaign and cinema, the medium of the masses, was quite simply their most important weapon. Government authorities monitored the production of feature films and the military itself produced documentaries aimed at rallying the American people to support the troops. This film tells the story of four Hollywood directors of European origin, who returned to the "Old World" during the Second World War to make propaganda documentaries for the US Army at the front: William Wyler from Alsace, Frank Capra from Italy, Anatole Litvak from Ukraine and - in post-war Germany - Billy Wilder from Austria.

The man who invented James Bond: The story of Ian Fleming, real-life spy, ladies' man and sportsman, who was there at the birth of MI-5 and the CIA, and gave the world one of its most enduring and iconic heroes: Bond. James Bond.

New forms of manipulation and the inundation of stimuli from new media pose a great risk to children’s mental health. Finally, society has started to respond. A secular culture of consciousness is arising: meditation and new forms of resilience and mindfulness training have formed part of the curriculum in many of Europe’s schools. Can systematic inner development genuinely enable young people to take responsibility – for their own lives, for society and for the world? Can openness, compassion and an ethical attitude in children be increased by mental training?

Documentary about German comedian Loriot alias Vicco von Bülow, who would have been 100 years old in 2023.

A cinematic journey into the music of Udo Lindenberg.

Documentary about two families who have a private nuclear bunker built and then test it.

How could a German Wehrmacht soldier become a celebrated soccer idol of the Britons in the post-war period? The documentary by Radio Bremen shows the moving life story of the soccer star of the 1950s in a torn Europe and how an enemy became a friend. With his legendary appearance in the English Cup Final 1956, in which he played until the end despite a broken neck, Bert Trautmann set up a memorial for himself in the history of sport. Already in the same year, he is chosen as England’s footballer of the year, and by his club Manchester City even as best player of all times. Bernhard “Bert” Trautmann is one of the most popular and best-known soccer players in England.

1986 - The protest movement against the construction of the nuclear power plant in Brokdorf is on its last legs. Only one rural commune remains: the "Alternative Wohnkollektiv Regenbogen". For them, it could go on and on with endless consensus discussions, shearing sheep and naked communal bathing. One day, the lowland communards are joined by two city dwellers, Hanne and her son Niels. While Hanne gets used to scream therapy and raising vegetables surprisingly quickly - and even more quickly to the tantra games with commune guru Peter - Niels has less and less desire for the dogmatic commune rules. Out of defiance, he joins the violent nuclear power plant resistance, thus upsetting the tranquil chaos of the commune. The big bang, however, comes when a reactor explodes in distant Chernobyl. Exactly on the day Bobby Ewing dies, the petroleum prince from "Dallas" and series favorite of the commune.

The story of two rival gangs in Munich, one composed of German teens and the other of Turkish ones. The German version of "West Side Story".

Six intertwined people struggle with their own sincerity, and, in so doing, unravel their secrets and the lies they live.

NORDSTRAND tells the story of two brothers, Marten and Volker, who meet in their parents' now empty house on the coast. Older brother Marten would like to pick up together their mother from prison where she has been since the death of their violent father years ago. But Volker seems only to have come in order to sell the house. He apparently can't forgive neither his mother nor his older brother for the fact they didn't protect him from the abuse committed by the head of the family.

He was a bloodthirsty vampire, an androgynous Adonis and a psychopathic killer. He's a friend of the director Lars von Trier. He gives an impressive performance in almost every one of his films. His face and his pale green eyes have etched themselves into the minds of his audiences. Udo Kier is one of the few German actors to achieve global fame via Hollywood. In the past fifty years, he has been in more than 250 films, ranging from art-house productions to blockbusters. Kier first major role was as a sinister upright citizen called Hans. The fact that he ended up staying in Hollywood was down to serendipity, like so much else in his life.