From force of habit, some might call him a "Greaser," true, he is a Mexicano; he is no more, a man of noble instinct and chivalrous nature. He falls in love with the American ranchman's daughter, and while she appreciates his sincerity, she does not return his affection for her. Tony not only loves, he respects her, and will not inflict his attentions upon her, and will not inflict his attentions upon her, neither seeking recognition nor reward.
The stage appeals very strongly to the child of temperamental nature and often it dreams of the glory and fame attending success. Little Alice is a child of this kind and although she is surrounded by the most meager, even poor circumstances she has a great desire to be an actress. Her mother, who takes in washing, sends the little girl to deliver a large basket of clothes. Struggling along the street she stops at the theater to look at a display of photographs of actors and actresses who are appearing there. She loses herself in reverie; while thus engaged the leading lady, whose picture particularly attracts the child's attention, arrives for rehearsal. She speaks to Alice, becomes interested in her and gives her two tickets for the afternoon performance. Pleased and delighted with the gifts she rushes home to her mother who takes the tickets from her, scolds and whips her for not attending to her errand.
A Navajo Indian has crossed the great desert, and his water bottle has been emptied. He is in a frenzy from thirst and sees mirages of water everywhere. He comes upon Nat Perry, a young settler, who is conveying his household goods across the burning sands. Perry has just taken a drink from his precious canteen when the Indian falls at his feet and implores a little water. The young pioneer heartlessly turns him over with his foot and leaves him to die.
In the farewell beams of evening the pioneer with his wife and child stop the prairie-schooner and strike stakes for the night. Sounds of the Indian war cry disturb the quiet calm, and seen approaching in the distance is a band of savage red men. Terror-stricken, the settler seizes his gun and stands ready to defend his family. At the first volley from the Indians' rifles he falls dead. The brave wife makes a desperate resistance to protect her child. The poor woman is quickly slain by the hostile savages, leaving the helpless babe to their mercy.
John Burton met Bessie Fields on her way home one day, and was for making love to her right then and there, but for the interruption of Crazy Joe, a half-witted boy, who always seemed to get in wrong. Burton was incensed, and, although Bessie protested, applied his whip to the demented boy, when Steve Ross, Bessie's sweetheart, happened along and rushed to the boy's rescue. Steve saw that Burton's attentions were not welcomed and ordered him off the scene. Next day, both went to Mr. Fields, and proposed for Bessie's hand. When Burton learned that Steve had been accepted, he rushed from the house, fired back upon it, and fled. Of two shots spent, one hit and killed Mr. Fields.
Braggs, the young western settler, comes into view leading his broncho while he leads his little child on the horse's back. Placing the child on the ground and watering the pony, he takes his knife from his pocket to make an extra hole in the saddle strap. The knife slips and penetrates his wrist, severing an artery. His wife comes to his assistance, makes a tourniquet with strips of her apron, jumps on the broncho's back, bids her husband to care for the child and keep up courage while she rides to town for the doctor.
Dick, an easterner, comes west to try his luck at mining. No sooner does he arrive than Hartley, the local gambler and all-around villain, commences to make sport at his expense. Dick endeavors to bear it patiently, but a clash is inevitable, until the arrival at the village store of Mary Brown, one whom all held in respect, excepting Hartley.
It is a beautiful morning in Indian Summer, and White Doe is out in her birch bark canoe, engaged in a fishing expedition for food. She paddles home under the overhanging trees and vines, lights the small fire in front of her tepee and cooks her primitive breakfast. The air is bracing, the birds are singing, life is free and good. Also White Doe is happy for she had caught a gleam of admiration in the eyes of a stalwart cowboy, when she visited a ranch a few days before with her offering of plaited baskets and the famous blankets of her Navajo tribe. She begins her work of basket weaving, dreaming the love dreams of her people and her heart singing with coquetry and the happiness of conquest, for she is also loved by a brave of her tribe, a wealthy son of a chief with a hundred horses.
Jack Robbins is a gentleman bandit. For months he has been hunted in vain by Bob Ford, the sheriff. Mary Gray, a young lady physician, comes west; Robbins befriends her and, not knowing him to be a bandit, she admires him. One day the sheriff gets close enough to Robbins to seriously wound him and he is in desperate straits. By accident Dr. Gray finds him and he becomes her patient.
Getting his laundry from the Chinaman, "Honest Jim" spruces himself up in preparation to make a call on "Bess," with whom he is in love. Calling at Circle Ranch, her home, he finds Jack Rance making overtures to her father for "Bess' " hand. She greets Jim pleasantly, but she dislikes Jack; there is something about him which is distasteful to her and when her father intercedes for him she leaves the porch and hurries into the house. She does not have to wait very long to see "Jim" and "Jack" in their true colors and make a choice between the two. The clergyman of the ranch settlement and the .surrounding country comes to the post office where a crowd of cowboys are gathered to receive their mail.
Mary Jane had nursed Black Bill's wife through a spell of fever and Bill was grateful with all the fullness of his rough nature. He sent Mary Jane a necklace and a note in which he promised on his honor to someday discharge his debt. It happened later, that one of Bill's horses was stolen. Bill and his friends found the thief, and were bringing him into town to a handy tree, when they passed Mary Jane, drawing water from the old well. Bill had a drink and Mary, in pity, raised the cup to the lips of Bob Ford, the horse thief, whom she had never seen before.
Desdemona was not the only woman to have trouble over a handkerchief. It occurred to Mary also. Mary was in love with Bill, who worked on her father's ranch, and was greatly admired by all the boys. Shorty returned from town one day with a fine checkered handkerchief, which he proudly placed about his neck, strutting in front of Bill to attract his notice. The handkerchief was almost loud enough to speak for itself, so Bill noticed it all right. One of the boys sneaked it from about Shorty's neck and hung it on a nail, where Mary found it. Seeing that it was new, she placed it about her own comely neck, but alas, Othello Bill became jealous and accused her of accepting it from Shorty.
The punchers of the XL outfit are wild with joy, 'cause Mary, the idol of the ranch, is comin' home from college. Billy James is Mary's special friend, and goes to bring her from the station, but, suffering snakes! Look what's traveling with her, his nobs, "Sir Percy Granville," who owns the nearby ranch. This gets Bill's goat for a time, but Mary rides and "ropes" with the punchers, and soon shows them she is the same genuine, good-hearted Mary, and doesn't care a whoop for Sir Percy. Sir Percy insists on sticking around, however, and shows his true nature by striking Mary's younger brother, Bobby, when he defends his sister from insult.
Nora, who is the president of the Bachelor's Club, receives a letter announcing the death of her uncle in the west and that he has made her heir to his immense fortune. Including a ranch at Grey Oaks. Nora decides to go west and take charge of the ranch and run it herself a la suffragette fashion. She invites all the girls to go with her and they start for their new home. Arriving at Grey Oaks they pay no attention to the cowboys who greet them at the station but go at once in the old stage-coach to the ranch. The cowboys follow, approach the ranch, offer their services and are rewarded by being driven from the premises. The boys make up their minds to "get next" to the girls and devise a scheme.
Nell, an independent and somewhat obstinate girl, receives an invitation to attend a dance. She asks her mother for money to buy a new dress. Her mother, a hard working woman, who has to toil from morn to night, feels that her request involves an unnecessary extravagance and she denies it. Nell answers her sharply and leaves in a sullen mood. While working in the hot, broiling sun, the mother is overcome with the heat.
A short silent film produced by Gaston Mèliès in San Antonio.
Padre Dominguis, the village priest of a quiet little spot in old Mexico, has been on a visit to the daughter of his dead sister and is about to return to his charges. He is much surprised and more than a little pleased to find that his niece is in love with John Brown, a progressive American, who has settled among them, for the Padre is a broad-minded man and knows that Mexico needs the influx of American energy to make her a great country.
John Burton, a railroad clerk from the east, was spending his vacation hunting in the wild lands about John Walsh's shack. One morning, as he was eagerly following a large hawk, which he had already wounded, he lost his balance on the edge of a cliff and plunged down to the stony ground below. His cries for help attracted Walsh's attention and he was taken to the latter's cabin, where he was tenderly cared for by Walsh and his wife, until he was able to return to his duties in the east. Walsh's wife was the apple of his eye, but, like most things that we love, she did not last, and twenty years later we find him a broken old man, living in the days that are gone.
Bob Ford, a young college graduate and a man-about-town, self-willed and wild, who tries his father's patience and generosity by going the limit, is called to a sudden halt by the old gentleman and sent out west with his valet to work on Jones' ranch in Texas and prove to his father that he is not a hopeless renegade. Bob arrives in Texas with his valet, whom he tells to take his place and pretend that he is Bob while he, Bob, will pretend to be the valet. Mr. Jones has a very pretty daughter, Flora, for whom her father feels some anxiety about coming in contact with a young city fellow, college bred like Bob, fearing that she will fall in love with him.
A short silent film produced by Gaston Mèliès in San Antonio.
