Filmkraft

Nandini and Sanjay Verma are lovers, and they conspire to take over the vaste estate of Mr. Saxena and his only widowed daughter, Aarti, and her two children, with the help of Sanjay's maternal uncle Heeralal, a longtime employee of Saxena. After Saxena passes away suddenly, Sanjay woes Aarti and marries her. On a boating trip both Nandini and Sanjay do away with Aarti, making it look like an accident, and subsequently take over the entire Saxena estate. But Aarti survives, disfigured beyond recognition by a crocodile attack, With the help of plastic surgery transforms herself to a successful model, Jyoti. She then plans to carry out her vengeance against Sanjay, but finds that he has been physically abusing her children, pets, and servants. She must now decide to reveal her identity, or continue with her plan and be a spectator to the abuse on her loved ones. Written by rAjOo (gunwanti@hotmail.com)

In order to expand coal mining, the traditional town of Most in the Czech Republic was razed to the ground. Old buildings were demolished, a Gothic church was relocated, nature was poisoned, people were forced out of their environment. Only in the minds of the elderly does the town live on.

A film about poverty in a rich country: father, mother, seven children have made it out of the homeless asylum. The author met the Cologne family B. for the first time in 1976. Living with debts, installments, reminders, living with the certainty that the children will not fare any differently. For more than twenty years, between dreams and fears, the camera recorded two generations' fear of failure and hunger for middle class. A unique film chronicle from the "latest economic miracle" - between 1976 and 1997.

A black ethnologist explores aspects of German life in West Germany in the early 1980s with a foreign eye - and meets with rejection because she dares to look at Europeans with the same tools as they have used for centuries in Africa.

When two young boys start a brawl, their parents begins arguing with each other.

The sculptor Stephan Balkenhol is a world star on the German art scene. Yet the artist has remained as down-to-earth as his figures themselves. His wooden people fetch top prices at auctions at Christie's, Sothebie's and Co. Despite the trend towards abstraction, Balkenhol rediscovered the figurative for himself. The human being in itself, snatched from the hectic everyday world, reflecting, with an empty gaze. The sensation lies in the ordinary. Against the pathos of monuments and memorials. The film takes a look into the world of Stephan Balkenhol and observes him at work - the portrait of an extraordinary artist.

With its rich silver mines, the medieval town of Jáchymov had given its name to the dollar. A few centuries later, the town gave face to the horror of Soviet terror in Central Europe. The film tells of the second and terrible face of the old and idyllic spa town of Jáchymov in the uranium-rich, Bohemian Ore Mountains - a small town that survived despite communist labor camps for Soviet atomic bombs.

The army of the GDR, called NVA had not survived the reunification of Germany, it was completely absorbed by the Bundeswehr and scrapped subsequently. But what apparently went on so smoothly as a peaceful unification of hostile brothers quietly left deep scars in the East German landscape.

The film tells the story of two POC teenagers from a traditional polygamous family, daughters of a father and different mothers from the same homestead: interior views from a distant everyday life. Two young women, their hopes, fears and dreams of having children, love and polygamy. Bibi is 17 and already has a baby, 15-year-old Riki is determined to become a private detective in Paris - but she is determined to take the fireplace from her homestead in Africa with her overseas.

The film tells the story of three women from the sultan's harem in an African kingdom, from three different generations, and documents 100 years of change: interventions of Islam and Europeans, tensions and contradictions between traditional identity and the lifestyle of today's black bourgeoisie.

The film follows the life of a large family over three decades and generations. The rising saga of a formerly homeless family survived since the mid-seventies solely thanks to the mother's figure, the strength and bond of this "Mama General". Following her motto, "one for all - all for one," she keeps the family together and tied. And yet, it is no longer like before. One force is noticeably weakening. Mama General is dying...

A group of privileged Norwegian teenagers go on a trip to a friend’s coastal retreat on Norway’s south coast when news breaks out about a strange virus spreading around the world. Seemingly sheltered from the unfolding devastation in their remote holiday home, the teenagers fastidiously continue to eat, drink, play and make love.

Else, a half-breed child from the secretive harem of the German colonial elite, is the daughter of the governor's deputy Jesko von Puttkammer, who disappeared to faraway Germany. Else became an old woman who had suffered all her life from remaining fatherless. The film finally confronts Else's only half-sister from German nobility with the mulatto sister-in-law from Africa.