Sumitomo Corporation

A secret military project endangers Neo-Tokyo when it turns a biker gang member into a rampaging psychic psychopath that only two teenagers and a group of psychics can stop.

A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.

Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?

Akio Kanzaki’s job as head of human resources is wearing his nerves thinner and thinner. To make matters worse, he’s on the brink of divorce with his wife, and his relationship with his college-student daughter isn’t exactly smooth sailing. One day, he decides to drop in to Tokyo’s old-timey district to visit his mother Fukue. However, things seem a little off. His mother used to be always working with an apron on, but now she’s covered in stylish clothes, looking livelier than ever, and even in love! Akio becomes perplexed, feeling out of place in his own mother’s home, but after encountering kind, warm—and almost nosey—neighbors and a side of his mother he’d never seen before, Akio gradually starts to discover something he had lost sight of.

When eighth-grade cool guy Hiromi transfers from Tokyo to a small elementary/middle school with only six kids enrolled, wholesome and honest Soyo becomes enthralled with his sophisticated world.

Toru recalls his life in the 1960s, when his friend Kizuki killed himself and he grew close to Naoko, Kizuki's girlfriend, and another woman, the outgoing, lively Midori.

A group of travelers is stranded in a small country inn when the river floods during heavy rains. As the bad weather continues, tensions rise amongst the trapped travelers.

Following the death of the unmarried and childless Taki, Takeshi, a young relative of hers, discovers several pages of closely written lines in which the old lady has recorded her memories. This is how he learns the truth about her youth working as a housemaid and nanny for the Hirai family in a little house in Tokyo with a red gabled roof.

Set in Tokyo in 1940, the peaceful life of the Nogami Family suddenly changes when the father, Shigeru, is arrested and accused of being a Communist. His wife Kayo works frantically from morning to night to maintain the household and bring up her two daughters with the support of Shigeru's sister Hisako and Shigeru's ex-student Yamazaki, but her husband does not return. WWII breaks out and casts dark shadows on the entire country, but Kayo still tries to keep her cheerful determination, and sustain the family with her love. This is an emotional drama of a mother and an eternal message for peace.

Nobuko (Sayuri Yoshinaga) works in Nagasaki, Japan as a midwife. Her son died 3 years earlier from the atomic bomb. On August 9, 1948, her son appears in front of her again. Since that time, Koji (Kazunari Ninomiya) appears in front of her and they reminiscence about pleasant times. These happy, but bizarre moments seem eternal.

An adaptation of the original five volume arc of the popular JoJo's Bizarre Adventure manga, covering the Phantom Blood chapters. Jonathan Joestar is an aristocratic boy whose life is suddenly turned upside down by a mysterious new boy who arrives, Dio Brando. Dio has a connection to his father, and over time, a rivalry forms as Dio becomes obsessed with a mysterious, ancient, and mystical stone mask that Jonathan's father keeps. This film has not been publicly released outside of its original limited run in Japanese theaters and is considered virtually lost.

Ginko's younger brother Tetsuro, a failed comedian, is the oddball of the family. Embarrassing, loud and plain inappropriate at times causes Ginko to disown him. The two reunite when she discovers Tetsuro is terminally ill. Tetsuro’s impending death marks the beginning of love and toleration.

In a distinctly contemporary Tokyo that looks backwards to the city’s disappearing past, Yoko is a writer investigating the life of a modernist composer of the 1930s. She is pregnant by a man she does not want to marry and has found a kindred spirit in a used bookstore owner who aids her research

Years after moving to Tokyo with her parents, Hinako returns to her hometown in rural Shikoku. She soon learns that her childhood friend, Sayori, died several years ago and that Sayori's mother, who used to perform seances and exorcisms, has gone almost insane with grief. After seeing Sayori's ghost several times during the night, Hinako consults with some local experts on the paranormal and discovers that Sayori's mother has something planned for her daughter...

Set during the Meiji Restoration period of Edo era Japan, Naoyuki belongs to the 8th generation of the Inoyama family, a wealthy family known for finance & accounting. He is also a gifted mathematician and uses the abacus with extreme skills. Naoyuki works under the declining Kaga domain. Because of this, Naoyuki and his wife Koma suffer hardships as their stature and wealth dissipates.

Thirteen years afterward, I wonder if those who bombed Hiroshima are looking at me and saying: 'We did it! We were able to kill another person!' They should be," murmurs Minami (played by Kumiko Aso), one of the two leading female characters in Yunagi no Machi, Sakura no Kuni, as she lies dying in 1958, her life brought to a premature end by sickness resulting from her exposure to atomic bomb radiation. This is a story about those who at least initially survived the first U.S. atomic bombing of 1945 and their descendants in contemporary times. The film, based on a comic by Fumiyo Kono, jumps between the two time frames and quietly depicts the sorrow and mortification experienced through the everyday lives of laid-back and soft-spoken Hiroshima people. Only a few scenes of the bombing and the ensuing devastation are featured.

Half a Confession introduces itself as a thriller and abruptly changes gears, transforming into a tale of morality with deeper insights into its characters than we had anticipated. It begins when Soichiro Kaji (Terao), a retired detective, walks into police headquarters and confesses to the murder of his wife. We learn that the victim had prematurely developed Alzheimer's after the tragic death of their son, and in her suffering, had asked to die. The police chiefs would be far more content to take him at his word if it were not for a conspicuous hole in his story: 48-hour gap between the alleged murder and his confession. Fearing a public relations nightmare, they are eager to bury the incident and keep the press in the dark.