In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.
A mistaken delivery in Mumbai's famously efficient lunchbox delivery system (Mumbai's Dabbawallahs) connects a young housewife to a stranger in the dusk of his life. They build a fantasy world together through notes in the lunchbox. Gradually, this fantasy threatens to overwhelm their reality.
After destroying his older brother's motorbike in retaliation for his constant bullying, 11-year-old Krishna is sent to a traveling circus to earn money to pay for the bike's repairs, but soon winds up in the streets of Bombay's poorest slums. There, he befriends the drug dealer Chillum and young prostitute Sola Saal, while trying to make enough money at a neighborhood tea stall to repay his debt to his family.
Biopic on the father of the nation of Bangladesh, Sheikh Mujibur Rahman. The film will showcase his growing up as a child to his standing up against all injustice in his youth to fighting for the independence of his country. How he led a country to it's independence with his inspirational presence and fight for the justice.
After his wife passes away trying to cross a mountain, Manjhi, out of sheer rage, sets on a quest to carve a road through the treacherous mountain.
A well-off Indian family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.
An Anglo-Indian woman works in a seedy Mumbai massage parlor while trying to find her long-lost father.
The film follows a scrappy taxi driver's fortunes as he tries to break out from the clutches of poverty, devising plans and investing all his money in a dubious schemes which eventually blow out on him, coming under the eye of unscrupulous politician and local goons, yet he still perseveres for his dreams.
Tensions run high near the border of British India, which is about to be partitioned with a new country called Pakistan. Sikhs living in this border town have heard numerous stories of Muslims killing, raping, and looting other Sikhs, Hindus, and Christians, and many of whom are their friends and relatives. Enraged at the loss of law and order, they plan their own attack on a trainful of Muslims leaving British India. The train is overcrowded with tens and thousands of migrating passengers, who are even perched on the windows and seated on the roof of this train. The plot is to tear the bridge down when the train is on it, and no one will dare stop these men to carry out this horrific task
Prime leader of a campaign against a big government project is killed in what appears to be a road accident. An IAS officer is ordered to probe the incident and the veils of falsehood begin to drop.
When the movie opens, a woman is recalling the events that molded her perspective on the world. Years ago, her husband, a wealthy Western-educated landowner, challenged tradition by providing her with schooling, and inviting her out of the seclusion in which married women were kept, to the consternation of more conservative relatives. Meeting her husband's visiting friend from college, a leader of an economic rebellion against the British, she takes up his political cause, despite her husbands warnings. As the story progresses, the relationship between the woman and the visitor becomes more than platonic, and the political battles, pitting rich against poor and Hindu against Moslem, turn out not to be quite as simple as she had first thought.
Two zanies open a photography studio. They score a partnership with a gossip magazine that suddenly thrusts them into a world of corruption, murder, and hijinks.
Inspector Joshi is a grieving father searching for his daughter Aruna, kidnapped years ago when she was six. In his despair, life converges with a recurring dream in which Joshi pursues a shadowy figure who leads him to 'Paradise', a night-club where teenage girls dance to a leering crowd. He is convinced he will find Aruna there and vows to bring her back to Leela, his broken wife.
A woman decides to fight against her powerful oppressor. When the guard of a chilli factory helps her, the women and the teacher of the village join them to openly defy the prevailing repression.
A frustrated housewife whose marriage to an average man does not meet her expectations enters into an affair with a younger man. Of course, there are no easy escapes from reality.
A rich guy falls in love with an independent and strong-minded girl, and moves into her simple neighborhood to earn her love.
Nadhi Karaiyinile (English: On the river shore) is a 2003 Tamil drama film, written and directed by Ponvannan. The film, which had an initial release at international film festivals with the title Jameela, stars Suvalakshmi, Rajan P. Dev and Ramji in the lead roles. The music for the film was composed by Sirpy and the film opened to positive reviews in November 2003, after several delays.
The film depicts the life of a truck driver Sucha Singh and his wife Balo. Balo has to get Sucha Singh's food ready every day, walk a long distance through the fields and wait for him on the highway as he drives past the village. He leads an independent life, playing cards with his friends and spending time with his mistress, and comes home only once a week. However, he expects his wife to play the traditional role of a devoted wife. One day Balo gets late, trying to save her sister from the advances of a lecherous villager. Sucha Singh is angry, and drives away without his food. She decides to wait for him until nightfall.
A literary film based on a play in three acts, Ashad Ka Ek Din portrays the love of Mallika and Kalidasa, the renowned Sanskrit poet and dramatist. Vilom, a friend to both and interested in Mallika, is a passive onlooker for the first two acts. Kalidasa leaves his verdant mountain valley home for the splendour of far off Ujjain, where he wins fame. The action of the film is rooted in the village to which Kalidasa returns years later and finds Mallika married to Vilom and the mother of his child. Mallika sacrificed her love so that the poet could pursue his muse.
It is a coming-of-age story of a Bihari boy who is embraced by residents of a Marathi Chawl due to his grit, imagination and especially his footballing skills.
