The Hijacking of 'Savoy'

The Hijacking of 'Savoy' 1979

4.20

Polish schoolboy Janek, and Russian girl Tanya are traveling by a plane which ended up in the hands of a gang of drug dealers headed by ex Nazi criminal Henrich Scharf.

1979

Talking Heads

Talking Heads 1980

7.80

People of different age, profession and social status answer two simple questions: who they are and what they want from life.

1980

Hospital

Hospital 1977

6.26

24 hours in the life of a hospital from the point of view of the doctors and nurses.

1977

House

House 1958

5.21

An experimental short film by Walerian Borowczyk and Jan Lenica.

1958

Factory

Factory 1971

5.60

A documentary revolving around the Polish situation on an industrial level at the tail-end of the 1960s: it alternates between stark images at a metallurgic foundry and a board-room meeting among the various executives involved in its management.

1971

Workers '80

Workers '80 1982

1

Documentary about the beginning of Solidarnosc.

1982

Railway Station

Railway Station 1980

4.72

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

1980

The Bricklayer

The Bricklayer 1973

5.60

Krzysztof Kieslowski's protagonist is Joseph Malesa, a former party activist, labor leader and mason. The document talks about his career and life through ups and downs

1973

Destination Nowa Huta!

Destination Nowa Huta! 1951

4.50

This documentary describes the process of building and the first days of the combine and the city of Nowa Huta. Andrzej Munk realizes the postulates of socialist realism decreed in Polish cinematography in 1949.

1951

Wizyta

Wizyta 1972

1

An official falls victim to hooligans. He recognizes one of the attackers at a party organized by his director.

1972

Na planie

Na planie 1968

1

Reportage from the set of the film "Everything for Sale", focusing on the director - Andrzej Wajda. At one stage of the filming, Wajda planned to include all the documentary material shot by Ziarnik in his film. Ultimately, however, he changed the concept.

1968

Warsaw Main Station

Warsaw Main Station 1958

7.20

Warsaw Central Station, 1958. A place of greetings and farewells, an intersection of people from different parts of Poland and Europe. A girl waits in vain, she goes away. Soon the station would belong to the past too.

1958

I Don't Know

I Don't Know 1977

4.60

The confession of a man who was the director of a factory in Lower Silesia. "He was a Party member but opposed to the Mafia-like organization of Party members which was active in that factory and region. Those people were stealing and debiting the factory account. He didn’t realize that people higher up were involved in the affair. And they finished him off.’ (Krzysztof Kieslowski)

1977

Curriculum Vitae

Curriculum Vitae 1975

6.90

A communist party control committee interrogates a worker and party activist who is to be excluded from the party.

1975

All That Really Matters

All That Really Matters 1992

3.50

Poland's submission for the Academy Award for Best Foreign Language Film in 1992

1992

X-Ray

X-Ray 1974

5.70

Patients with serious lung diseases, who are now in a sanatorium, tell us about their thoughts and feelings.

1974

Seven Women of Different Ages

Seven Women of Different Ages 1979

6.60

Each day of the week is represented by a ballerina beginning with a young child and ending with an older ballet teacher.

1979

What is Dudek?

What is Dudek? 1967

1

The "Dudek" cabaret group, Edward Dziewoński’s lifetime achievement, one of the greatest post-war cabaret groups recorded by a documentary filmmaker during rehearsals. The stars of Polish acting could be seen on stage, accompanied by excellent songs by Wojciech Młynarski.

1967

Opus Jazz

Opus Jazz 1963

1

Documentary of the Kurylewicz Quintet rehearsing a jazz piece in a recording studio. After a few fits and starts the band finally hits its stride.

1963

Men of the Blue Cross

Men of the Blue Cross 1955

6.00

The final film produced by Warsaw’s Documentary Film Studio is an epic re-enactment of a treacherous mission by the Voluntary Tatra Mountain Rescue Service to aid colleagues stranded behind enemy lines at the close of World War II (several real participants feature in the film). Based on a short story about the rescue by Adam Liberak, Munk’s final “documentary” is also arguably his first major exercise in the craft of narrative filmmaking.

1955