Les Films de L'Autre

A real estate agent from Paris arrives in Los Angeles to settle his late mother's estate, but a found photograph sends him on an impromptu journey to Mexico to find a woman named Lola.

While Montreal is in the throes of a string of kidnappings targeting young boys, ten-year-old Felix is finishing his school year in the seemingly quiet suburb where he lives. A sensitive boy with a vivid imagination, Felix is afraid of everything. Little by little, his imaginary demons begin to mirror those of the truly disturbing world around him.

Carried by an immersive sound environment that plunges us in the reality and the perceptions of these resilient and inspiring people, this film questions our own blindness face to violence and suffering of our time — despite the overabundance of images that reach us — and highlights the urgency of lending an ear to hear these stories.

An adolescent girl’s figure skating lesson becomes the latest battleground in the marital warfare between her parents in Halima Ouardiri’s piercing family drama.

When Vlace is suspended for hitting a classmate, Sasha is called to come get his son at school and has no choice but to take him along on his delivery route. During this intimate journey, we discover what provoked Vlace's uncharacteristic act, as father and son find their way toward a new understanding.

Manawan, 1977. A vehicle falls into a river near a Native community. Two Quebecers managed to escape, but five Atikamekws lost their lives. While the police conclude that it was an accident, the victims’ families are left with unanswered questions. A historical, poetic and choral tale, Soleils Atikamekw is inspired by the dreams, impressions and memories of the relatives of the five victims. In an intimate, humanistic approach, the filmmaker involves the families both in front of and behind the camera. Documentary and fiction come together in a deeply moving film about grief, injustice and memory.

In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.

The night is falling and Montreal is under the snow. People line up at the lost and found office of the city’s transit company. They all have lost something, which, upon reflection, becomes the symbol of a deeper loss. Prayer for a Lost Mitten is a creative documentary by turns melancholic and festive, yet ever compassionate. A film that helps us get through the winter.

Today, 11 years after the massive earthquake in Haiti that left over a million people homeless and killed hundreds of thousands, the country has still not recovered from the disaster. Despite billions of dollars in aid money, Haiti struggles with some of the highest levels of poverty and unemployment in the Western hemisphere. In Port-au-Prince, various citizens are shuttled through a city in crisis. Maneuvering around barricades, garbage dumps and the packed streets of the capital, they speak candidly about the current state of their country. Through the car window a frustrated population passes and occasionally interacts with the passengers in the vehicle. Beautifully shot, with a lively score, Zo Reken presents a complicated portrait that testifies to the magnitude of the tragedy and highlights the disorganized state of international aid.

This documentary is a road-mind movie that immerses us in the fascinating world of photographer-writer Serge Emmanuel Jongué.

Worlds and genres collide one summer afternoon as a young woman and her horse make a surprising and eventful odyssey in this richly cinematic drama by Montreal's Halima Elkhatab

In the dead of winter, 18-year-old Chloe runs away from Montreal and hitch-hikes to Tadoussac, a small Quebec tourist village. In exchange for a room, she works at the local hostel, like many other young travelers. But Chloe is also secretly searching for someone.

In a province not so distant from ours, now controlled by a far-right government, the borders are closed and immigrants, now under threat, are desperate to get out. A Haitian woman hands over her young son to a thirty-something Quebec man before fleeing. With help from a Vietnamese former refugee, they try to solve the mystery.

In the heart of Kamouraska in Quebec, Patrice Fortier lives at “La société des plantes” (The Society of Plants). There, like a transcriber of the middle ages, he diligently cares for the rare and forgotten plant seeds to create a variety of so-called “old futures.” Patrice dreams up his garden and turns his crops into art projects. Over time, and with patience, he passes on his passion and his knowledge to us through his seed bank. These seeds of life will appear in thousands of gardens throughout the world. An ode to plant biodiversity and to our heritage, brought forth by a true and genetically motivated sower.

In his small apartment, a middle-aged man has reached the end of his tether. He has become indifferent, even to his only true passion, classical music. He decides to end it all. But his plans are thwarted by the jarring sounds from his new neighbor above, a novice celloist. They end up trading selected musical pieces in a ruthless duell...

To fill the absence of his six-year-old daughter living in Berlin, a Montreal filmmaker keeps a film diary which takes him back to his relationship with his adoptive father and his biological father, whom he never knew. His diary also becomes a reflection on cinema by revisiting the work of filmmakers who influenced him such as Ingmar Bergman and Wim Wenders. Diary of a Father is a poetic response to making the separation between a father and his child bearable.

A meditative state of wonder where the fleeting beauty of shadows evokes our place in the world, the passage of time, and the very essence of life and its fragility.

A woman in love with a musician has a change of heart on her 18th birthday.

Menacing smoke rises over the forests of Manawan. Shawnouk has lost touch with the traditions of the Atikamekw people, and he struggles with daily life on the reservation. His mother's boyfriend is a policeman, and though he means well, Shawnouk won't accept him as part of the family. There's so much missing in his life. One night, Shawnouk gets involved in a break-in. When the home-owner turns up, Shawnouk pushes himself between the man and the gun. In the end, he is the one with blood on his hands. He goes into hiding in the vast forests of Québec. In the search for his roots, he faces regret, pain and anger. Fire and smoke, the ancient trees, and the music of his ancestors help Shawnouk to face his biggest challenge: the confrontation with himself.

In Saigon, family culture carries on as it has for centuries, even when blood ties are broken. Through a mosaic of intimate portraits, Má Sài Gòn explores humanity’s universal desire for love, acceptance, connection and belonging through an LGBTQ+ lens. The film is a love letter – a bittersweet ode to a comforting yet disturbing mother, to a city that is as liberating as it is oppressive.