De Familie Film & TV

Haunted by memories of her broken marriage and a fight with her daughter, a woman joins an intense self-help retreat when her vacation goes awry.

In 2010, director Michiel van Erp started filming a group of children in Utrecht. He kept filming them till 2018, the year they turned 18. The film portrays those moments which were crucial for the development and personal growth of the kids.

Thirty years ago Sylvia Kristel became world-famous with 'Emmanuelle'. This erotic film was the starting point of a curious career, during which Sylvia acted in more than 50 international film productions, including a short-lived career in Hollywood. A turbulent life followed, in which alcohol and drug addictions formed a recurring theme. Penniless, she now lives in a small two-room apartment in Amsterdam. Last year La Kristel took control of her life: her autobiography Nue was published in France and has already been sold to several countries.

Renowned Dutch photographer Erwin Olaf poses himself some big questions: What has been the meaning of his career? Does his work have any value, and if so, will it continue to be valued in the future? Has his artistic calling, has his life, been of any use? The film shows the struggles of a celebrated artist at the peak of his fame taking stock, with pain in his heart, of a life’s hard work - while, just at the right time, his body of work is safeguarded for posterity.

The life of the Schouten family revolves around tulips and top sport. Together they run a large international tulip company and children Irene and Simon skate at world top level. When mother Jolanda unexpectedly needs a lot of care and attention due to a brain haemorrhage, everything changes. How does the family relate to each other, skating and the company in this new situation?

Doing really well on your school assessment tests, but still having the school recommend that you go to preparatory vocational school. Going to a club with friends and having the bouncer keep you out. Having to endure jokes from classmates. These are examples of the sort of casual racism that the children of director Karin Junger and their friends have to face. In Ik alleen in de klas, director Karin Junger, white mother of three darker-skinned children, stands with her family to confront the racism they experience in their daily lives. Twelve adolescents meet at a mansion in France. The group consists of Junger’s children and their friends. All of them come from ethnic minority backgrounds and share a feeling of being excluded from Dutch society. Re-enactment is used to explore painful situations again. In this simple but effective documentary, we can see the impact of subtle and less subtle forms of racism on the lives of young Dutch people.

An intimate documentary about motorclub Satudarah, often in the news in Holland for its alleged criminal activities.

In postwar Liberia Clarice Gargard searches the truth concerning her father's dubious connection to warlord Charles Taylor.

Documentary about the Hedwigepolder in Holland.

Who is still afraid of red, yellow and blue? It is one of the most important abstract paintings of the twentieth century and has evoked more than just this provoking question. Fifty years after the event around the painting "Who's Afraid of Red, Yellow and Blue III" by Barnett Newman the question is asked: what is art?