Everybody Rides the Carousel

Everybody Rides the Carousel 1975

5.80

Everybody Rides The Carousel invites the viewer along on eight "rides" through the different stages of life. Based on the work by Erik Erikson, one of the most influential psychoanalytic theorists of this century, the film explores the inner feelings and conflicted emotions experienced during each stage of personality development. With distinctive and poetic animation, John and Faith Hubley visualize the conflicts, joys, problems and delights we all experience on the carousel of life.

1975

Windy Day

Windy Day 1968

6.10

Two little girls muse on marriage and babies, love and death as they create and act out plays in their backyard. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2006.

1968

A Doonesbury Special

A Doonesbury Special 1977

5.30

Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.

1977

Eggs

Eggs 1971

6.00

The spirits of life and death go for a drive in this darkly humorous fantasia featuring an original score by Quincy Jones.

1971

Witch Madness

Witch Madness 2000

7.00

Witch Madness depicts a neglected chapter of human history: Europe’s three centuries of fanatical witchhunts, which resulted in the genocide of perhaps as many as two million women. But ultimately, the film communicates a message of love and hope.

2000

Time of the Angels

Time of the Angels 1988

6.00

The history of the Americas is considered from an Indigenous perspective, featuring the poetry of the Aztec emperor Nezahualcotl, Jose Chocan, and Gabriela Mistral.

1988

The Cosmic Eye

The Cosmic Eye 1986

6.20

Earth is visited by a race of aliens, who issue an ultimatum: either peace or complete destruction.

1986

Cockaboody

Cockaboody 1974

7.00

John and Faith Hubley combined animation with the voices of their preschool daughters Georgia and Emily to make this award-winning short (New York Animation Festival), similar in concept to their earlier work "Moonbird".

1974

Voyage to Next

Voyage to Next 1974

4.60

Mother Earth and Father Time converse about the choices humans make. Preserved by the Academy Film Archive in 2010.

1974

Yes We Can

Yes We Can 1988

6.00

Gaia, our living Earth, joyously balances life and death until human beings begin to plunder her resources. Gaia retreats in despair. When women and men reach out to one another and remember their primal love, Gaia returns.

1988

Of Men and Demons

Of Men and Demons 1969

6.00

A man lives in peace and harmony. But one day his quiet life is interrupted by demons. Preserved by the Academy Film Archive in 2012.

1969

Amazonia

Amazonia 1990

8.00

Inspired by three South American myths, this film is a plea to save the tropical rain forest and its unique inhabitants.

1990

People, People, People

People, People, People 1976

7.00

Traces life in USA from the first Native Americans to the Bicentennial.

1976

Upside Down

Upside Down 1991

7.00

Inspired by the writings of the 13th century Indian poet Kabir, "Upside Down" shocks the audience from its torpor. Lost in a maze of contradictions, its characters search for a way out... Death is befriended and the eternal yearning for harmony, beauty and balance are realized in the final sequence.

1991

Tall Time Tales

Tall Time Tales 1998

6.00

A film about the many faces of time as it flows from the future to the past, through cyclic, biological, curved and paradoxical time.

1998

Who Am I?

Who Am I? 1989

1

This film visualizes a child's delighted discovery of his five senses. Produced for the Children's Museum of Manhattan, "Who Am I?" empowers youngsters and stimulates learning.

1989

W.O.W. Women of the World

W.O.W. Women of the World 1975

6.00

Faith Hubley’s first solo project. Using ritualistic Goddess imagery from different ancient civilizations, she creates a new history of the world – from a feminist point of view.

1975