The family of Katharina Krohn is shocked when they learn that she is a member of a Swiss organization that helps people who have decided to leave this life, even though she has no life-threatening disease like many of the other members, but because she has lost the will to face life after the death of her husband.
This drama is based on the childhood memories of Hans Jürgen Massaquoi, who was one of the few black native Germans in Nazi Germany. In 1935 at the age of nine, he lives with his German mother in a small flat in Hamburg's working class district Barmbek, while his father and grandfather had left the country. Although the boy is not persecuted by the Nazis and dreams of joining the Hitler Youth, his skin color makes him a target for racist abuse...
Stefanie von Nauenstedt begins a passionate affair with David, her brother-in-law, and realizes only too late how much her husband André and her son mean to her.
A TV special about the christmas celebrations of the most popular TV characters in the ZDF at that time.
In the third film of the successful series, Jan Fedder is back as a Pastor Book with body and soul. To look after human destinies in St. Pauli, he sees as his life's task, no matter what milieu they come from or what confession they belong. The fallen and stranded people challenge him this time especially.
Grump's life follows the same familiar routines: spring is here and the early potato harvest is ripening. But Grump crashes his beloved Ford Escort and the car has to be scrapped. A new, modern vehicle is no match for quality and the nearest Escort, a 1972 model, can be found in Germany. When the Grumps's sons refuse to help, he must travel to Germany alone.
Drama about an old lady who begins to suffer from dementia.
Set in 1815, a young Englishman touring Europe encounters more than he bargained for. His pursuit of the beautiful Countess St. Alyre brings him into contact with the Marquis D'Armanville and other odd characters. A series of bizarre murders occur, bringing our hero to the borderland of nightmare.
What hurts more: losing the wife to her younger lover after 21 years of marriage or having to share a lottery win with her after the breakup? The parcel carrier Henry doesn't want to give up half of his unexpected wealth because of the divorce. While his wife Ellen wants to make a clean break with the new beginning, he tries to save the long-hopeful marriage, but only on paper. The disappointment hurts too much to share the cash fairly! Neither his own daughter, who needs money for a journalism school, nor his best friend Mehmet know about the new fortune. His "favorite colleague" Mona either doesn't like the fact that Henry doesn't tell her the truth. She doesn't really recognize Henry anymore, with whom she has fallen in love. Ellen is also surprised that Henry, who is chronically exhausted, can afford an expensive racing horse. But there's a reason for the secrecy, because Henry wants to make his dream come true to win the Grand Prix of Germany. His maxim: Believe in losers too!
Charlotte, in her early 70s, is not a woman to fool. With energy and assertiveness, she leads the family-owned company since the death of her husband. But lately, irritating incidents are piling up: Charlotte gets bumpy, forgets appointments and messes things up. Alone Katrin, the life partner of her son Markus, speaks out, what nobody wants to admit: Charlotte suffers from dementia. But even though she herself feels that something is wrong with her, the proud woman refuses any help. Until the situation threatens to escalate.
Vera von Schalburg is a German prostitute working in Nazi Germany. In 1938, one year before the outbreak of World War II, Schalburg is arrested by the Berlin police. She is offered to work as a spy for the Abwehr, the German military intelligence service, instead of facing jail time. Completely unaware of the secret war preparations being conducted by her government, and unwilling to leave her teenage son who later joins the Hitler Youth, she accepts the offer.
A documentary exploring the legends of vampires, using books, paintings and early films on the subject.
In a satirical way, the typical television coverage after a (fictitious) state election is simulated — including projections, interviews, commentaries, and a so-called “heavyweight round”. When then, over the course of the broadcast, the voter turnout is estimated as just 3.8 percent of those eligible to vote, none of the involved believes it. But after this information turns out to be true, it is attempted to explain this scandalous, impertinent, and downright subversive behaviour of the electorate.
