Breathless

Breathless 1960

7.50

A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.

1960

Hiroshima Mon Amour

Hiroshima Mon Amour 1959

7.70

The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple -- lovers turned friends -- recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.

1959

Army of Shadows

Army of Shadows 1969

7.90

Betrayed by an informant, Philippe Gerbier finds himself trapped in a torturous Nazi prison camp. Though Gerbier escapes to rejoin the Resistance in occupied Marseilles, France, and exacts his revenge on the informant, he must continue a quiet, seemingly endless battle against the Nazis in an atmosphere of tension, paranoia and distrust.

1969

Jules and Jim

Jules and Jim 1962

7.60

In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.

1962

Last Year at Marienbad

Last Year at Marienbad 1961

7.42

In a strange and isolated chateau, a man becomes acquainted with a woman and insists that they have met before.

1961

The Last Metro

The Last Metro 1980

7.24

In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.

1980

Vivre Sa Vie

Vivre Sa Vie 1962

7.70

Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.

1962

Band of Outsiders

Band of Outsiders 1964

7.50

Cinephile slackers Franz and Arthur spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile. The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory -- which could be just what they want.

1964

The Married Woman

The Married Woman 1964

6.90

A superficial woman finds conflict choosing between her abusive husband and her vain lover.

1964

Léon Morin, Priest

Léon Morin, Priest 1961

7.00

The widow Barny lives in Nazi-occupied France, looking after her half-Jewish daughter in a small village. When the Germans arrive, she decides to baptize her and chooses priest Léon Morin to do so. After spending some time with him, the relationship with her confessor turns into a confrontation with both God and her own repressed desire. 

1961

Muriel, or the Time of Return

Muriel, or the Time of Return 1963

6.80

In the seaside town of Boulogne, no one seems to be able to cope with their past, least of all Hélène, an antique furniture saleswoman, her stepson Bernard, and her former lover Alphonse.

1963

Zazie dans le Métro

Zazie dans le Métro 1960

6.60

A brash and precocious ten-year-old comes to Paris for a whirlwind weekend with her rakish uncle.

1960

The Cousins

The Cousins 1959

6.80

Young provincial Charles arrives in Paris to stay with his cousin Paul while studying law. Paul is a decadent, bohemian pleasure-seeker who shows the meek, diligent Charles the thrills of city life. When Charles falls for Florence, one of Paul's acquaintances, relationships begin to shift.

1959

The Image Book

The Image Book 2018

6.40

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

2018

Handsome Serge

Handsome Serge 1958

6.90

After long absence, a man returns to his hometown only to find his best friend has become an alcoholic.

1958

Here and Elsewhere

Here and Elsewhere 1976

6.40

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

1976

Cinéma! Cinéma! The French New Wave

Cinéma! Cinéma! The French New Wave 1992

2.00

An intimate window into one of the great movements in film history that brought about an evolution in the art of cinema. The documentary portrays the movement with insight on the lives and works of Jean-Luc Godard, François Truffaut and other principal players in the New Wave.

1992

Gare du Nord

Gare du Nord 1965

6.30

In a busy, noisy neighborhood, a frustrated young wife in a failing marriage is offered her freedom by her indifferent husband, but has second thoughts after meeting an intriguing stranger.

1965

Claude Chabrol, the Maverick

Claude Chabrol, the Maverick 2019

6.20

An account of the life and work of French filmmaker Claude Chabrol (1930-2010), a sybarite Buddha, a furtive anarchist, an insolent lover of life.

2019

Esperanza H.

Esperanza H. 2024

7.00

After committing a petty crime, a young man unexpectedly receives a confession of love. Brimming with curiosity, the young man embarks on a search throughout the city for signs of that love.

2024