Keyword Post War Poland

A young academy soldier, Maciek Chelmicki, is ordered to shoot the secretary of the KW PPR. A coincidence causes him to kill someone else. Meeting face to face with his victim, he gets a shock. He faces the necessity of repeating the assassination. He meets Krystyna, a girl working as a barmaid in the restaurant of the "Monopol" hotel. His affection for her makes him even more aware of the senselessness of killing at the end of the war. Loyalty to the oath he took, and thus the obligation to obey the order, tips the scales.

Filip buys an 8mm movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen when he is sent to regional film festivals with his first works but his focus on movie making also leads to domestic strife and philosophical dilemmas.

In war-ravaged Warsaw, five juvenile delinquents are given probation for stealing, to rehabilitate themselves, but remain under the influence of their profiteer-boss.

Warsaw, Poland, 1953. Mr. T., a renowned writer, lives in a hotel and earns his living by giving private lessons.

At the end of World War Two, Polish people move to the western lands vacated by Germans. But some ruthless profiteers pose as government representatives and intend to make off with loot from a deserted town they took over. One honest man stands up against them because he believes these goods belong to the people.

Captain Witold Pilecki was a Polish intelligence officer during WWII who volunteered for a Polish resistance operation to get imprisoned in the German Nazi Concentration and Extermination Camp Auschwitz-Birkenau in order to gather intelligence and enable the Polish government-in-exile to inform the allies about the ongoing Holocaust in occupied Poland. The film also tells the story of Witold Pilecki’s fate at the hands of the Communist government after the end of WWII. The film is a reconstruction of the trial which took place in Warsaw during the communist regime in Poland. Captain Pilecki described his investigation as more cruel than his stay at Auschwitz.

A documentary tale about sport and politics under martial law. All of Poland saw the great goals of Boniek and Smolarek during the Espana '82 championships. For a moment, it was forgotten that the background of the sporting performance was martial law, censorship, an army on the streets, prisons filled with oppositionists. The performance of the players was so successful that it was called "the most beautiful series of martial law". The game is watched by interned activists of "Solidarity", sports journalists and censors, cutting out all manifestations of the opposition from television broadcasts. We also get to know the performance in Spain from the perspective of the players, trying to meet not only their ambitions but also to bear the burden of fans' expectations and regime propaganda.

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