Merab, a devoted dancer, has been training for years with his partner Mary for a spot in the National Georgian Ensemble. The arrival of another male dancer, Irakli, sparks both an intense rivalry and romantic desire that may cause Merab to risk his future in dance as well as his relationships.
The war is over. Once a young sculptor, and now a soldier, he returned home. Married, there were children. In search of work, he was hired to make grave monuments. Time passed... At one time, visiting a cemetery with friends, he saw with different eyes all his work done over the years...
Karesz has been raised in an institution, his mother has a new family, and her husband does not tolerate that she meets her first-born son. Karesz tramps, joining up with his casual pals he washes the windscreens of cars, sells newspapers; sometimes they steal, or break into houses if hired.
Presenter Charles Hazlewood stages a 140-person flashmob clog dance and explores the history of this folk dance that originated in the collieries and pit villages of the north east of England in the 19th century.
