Gabby, the waitress in an isolated Arizona diner, dreams of a bigger and better life. One day penniless intellectual Alan drifts into the joint and the two strike up a rapport. Soon enough, notorious killer Duke Mantee takes the diner's inhabitants hostage. Surrounded by miles of desert, the patrons and staff are forced to sit tight with Mantee and his gang overnight.
Starring Vehicle for Free Kitten. Kim Gordon, Julie Cafritz, & Mark Ibold lounge on suburban lawns, jamming a guitar effects box & Japanese beat boxes. Thurston reads lyrics off Public Service (early 80's L.A. hardcore compilation), and Saccharine Trust's "Pagan Icons". Mark, in English accent, reads bio penned by Byron Coley.
A portrait of artist, actress, poet and occultist Marjorie Cameron, it shows images of her paintings and recitations of her poems. Preserved by the Academy Film Archive in 2006.
A dramatic recreation of Dylan Thomas' last tour of America, starring actor Bob Kingdom as the Welsh poet. Originally a successful stage production, the show was adapted for this recorded version by renowned actor Anthony Hopkins (in his directorial debut). Dylan Thomas was one of the twentieth century's greatest poets. He was born in the Uplands district of Swansea in 1914 and died in New York in 1953 at the age of 39. Towards the end of his life, Dylan Thomas toured America, performing his works before sell out audiences across the country. The film features the poems "Fern Hill"; "Do Not Go Gently into that Good Night"; "A Poem in October"; "And Death Shall Have No Dominion"; "A Story (The Outing)" and "Return Journey" .
Spooky stuff is afoot in a French school. All of a sudden, 10-year-old Daniel finds himself alone with Marthe – their encounter is both tender and troubling, and it seems to take place in a sort of vacuum. In Marine Atlan’s dream-like feature film debut, children dance tango timelessly, recite poems and do the drill for an imaginary terrorist attack.
A fictionalized telling of D. H.Lawrence writing his 1919 poem, "Nostalgia".
Young & Na!ve is a poetic apology to everyone ever sexually molested and a film that needs to be seen by everyone ever born.
At underground film of the 1st Popular Festival of Catalan Poetry filmed in the Proce Theater in Barcelona on May 25, 1970, in solidarity with political prisoners. The participating poets were: Agustí Bartra, Joan Oliver (Pere IV), Salvador Espriu, Joan Brossa, Francesc Vallverdú and Gabriel Ferrater.
This film is dedicated to Mas-Félipe Delavouët, the poet discovered by Lawrence Durrell, who wrote 14,000 verses in Provençal over a period of thirty years, and who died on November 18, 1990. "The sky, history and Mediterranean and Provençal myths are the inexhaustable wellspring of this man rooted down there, near Salon-de-Provence" (J.-D. Pollet). "Mas-Félipe Delavouët wrote five books in Provençal, 14,000 verses. A sort of "Odyssey". Of myths. What is stunning in him is that he always talks of disappearances. Cities, works, men, writings, television, etc., everything has to disappear. In order to be reborn. No pain. A sort of hand-to-hand of man and nature. During the filming, I would simply throw out some words... For example, one time I said "creation" and he said: "creation doesn't exist..., creation is before me..., I can only read creation"; this sentence describes Delavouët perfectly (J.-D. Pollet, 1989 and 1993).
A 1995 Opera Australia performance of Gilbert and Sullivan's classic operetta, recorded at the Sydney Opera House. Bunthorne, a poet worshiped by every lady he meets, loves only one woman: Patience. But Patience does not share the other women's fascination with Bunthorne. She loves Archibald, her childhood friend who is now also a poet.
The life and literature of Mato Grosso do Sul poet Manoel de Barros. Alternating sequences of interviews with the poet, verses from his poetry, and statements of connoisseurs of his literature, the film portrays a revealing panel of the author's language. Manoel de Barros, age 91, with some 20 books published, lives in Campo Grande. Acknowledged, the winner of several literary prizes, he is the Brazilian writer who accounts for the greatest sale in poetry in Brazil.
An exploration into the creative process, following Native Hawaiian slam poet Jamaica Heolimeleikalani Osorio, as her art is reinvigorated by her calling to protect sacred sites atop Maunakea, Hawai`i.
Sangria is intended to discuss the women's role in Brazil since colonization until nowadays, once the females have been silenced and battered for ages. It's formed by 28 poems like a menstrual cycle. The poet, Luiza Romao, has recorded each poem in a studio and has invited 28 different female-artist to performing them. The guests came from distinct arts (photography, music, danse, grafitte, theater) and each girl has proposed an intervention. All the process was independent.
In 1976, Indonesian contemporary poet, Sutardji Calzoum Bachri, reads his poetry collection titled 'Amuk'. After 37 years, the sound record archive of that event is found in Jakarta Art Council. Using the archive, Rencong a.k.a DANGERDOPE, a hip-hop DJ from Aceh staged a music show.
Five inmates recite poetry while time keeps passing by.
In 1967, Knowles, a Fluxus artist, composed one of the first computerized poems, written in Fortran code, with randomly assembled verses. (An example: “A house of steel / Among high mountains / Using candles / Inhabited by people who sleep almost all the time.”) This significant, jam-packed exhibition revives Knowles’s poem on an old-school dot-matrix printer, and includes related ephemera, including a film by Allan Kaprow. The show also highlights forebears of Knowles’s aleatory composition, with a never-completed book by Mallarmé whose pages could be reordered at will, as well as Marcel Broodthaer’s 1969 homage to it. There are also successors: Nicholas Knight’s intricate paintings of overlapping colored curves were generated by an algorithm, and Katarzyna Krakowiak’s audio piece remixes Knowles’s original poem into skittering musique concrète.
