წელი 1901

A man, objecting to being filmed, comes closer and closer to the camera lens until his mouth is all we see. Then he opens wide and swallows camera and cinematographer. He steps back, chews, and grins.

A chemist carries out a bizarre experiment with his own head.

A convicted criminal dreams about his past the night before his execution.

A street level view from the sidewalk, looking along the length of 23rd Street. Following actuality footage of pedestrians and street traffic, the actors, a man in summer attire and a woman in an ankle-length dress, walk toward the camera.

A magician does tricks with the aid of his assistant, the Human Pump.

A young woman becomes the eighth wife of the wealthy Bluebeard, whose first seven wives have died under mysterious circumstances.

A magician's hat offers many surprises.

This early docudrama shows Auburn Prison and recreates the electrocution of Leon Czolgosz, the assassin of President McKinley of the United States.

The Waif and the Wizard features the same young man who appeared in Undressing Extraordinary (and who might be early filmmaker Walter Booth). It's another early example of a two-shot film along the lines of Paul's earlier film Come Along Do!. The young man plays a magician who, after completing his act, agrees to go home with the young boy from the audience who helped him perform his tricks. At the boy's home he finds a sick sister and a worried mother being threatened with eviction by her landlord.

Filmed in 35mm and in black and white, this short silent film was produced by the English film pioneer R. W. Paul, and directed by Walter R. Booth and was filmed at Paul's Animatograph Works. It was released in November 1901. As was common in cinema's early days, the filmmakers chose to adapt an already well-known story, in this case A Christmas Carol by Charles Dickens, in the belief that the audience's familiarity with the story would result in the need for fewer intertitles. It was presented in 'Twelve Tableaux' or scenes. The film contains the first use of intertitles in a film.

The famous acrobats in the above title appear in a marvellous acrobatic act. There are three barrels arranged on the stage. The boys, blindfolded, stand on opposite sides of the stage, and jump from one barrel into the other until they both land in the same barrel at the same time. They then jump backwards onto the stage over the two barrels. One table is then mounted upon another and the center barrel is placed on top. The brothers still blindfolded jump one each into a barrel and from them to the first to the second table and from the second table into the barrel on top of the second table. They then jump backwards onto the stage. This is pronounced by show people to be the most marvellous acrobatic feat that has ever been introduced. (Edison Catalog)

A group of miners (including a sole black worker) exits the colliery gates.

In 1901 people in Belfast paid their tram drivers in carrots.

Pathé film number 380, also known as "What Happened to the Inquisitive Janitor" (US) and "Peeping Tom" (UK). It should not be confused with its remake from 1905 also titled What is Seen Through a Keyhole, a film now considered lost. As a janitor is cleaning a hotel, he decides to peek through the keyholes to observe some of the guests in their rooms. In room 8, a woman is busy making herself look more attractive, and the janitor enjoys watching her. There are also some interesting things going on in the other rooms on the floor.

A satire on the way that audiences unaccustomed to the cinema didn't know how to react to the moving images on a screen - in this film, an unsophisticated (and stereotypical) country yokel is alternately baffled and terrified, in the latter case by the apparent approach of a steam train.

Our presidential hunter runs across the landscape and falls down in the snow, gets up with his rifle, and gazes upward at a treed animal which isn't in the camera's view. He fires a shot into the tree, then leaps on the ground to grab the fallen prey, a domestic cat, finishing it off with wild blows of his hunting knife while his companions, a photographer and a press agent, record the event that will be reported far and wide as a manly moment. Teddy then rides out of the forest followed by two companions afoot, never mind that they all originally arrived afoot. Perhaps it was funnier in its day than it is now, but apparently shooting cats was regarded as funny in those days. The larger point was to use a minor whimsy as a political criticism, in this case of Teddy Roosevelt's easy manipulations of the press. It was based on two frames of a political cartoon that had appeared in the paper a mere week before the film was made.

Time-lapse photography showing the one month-long demolition of the Star Theatre in New York.

Four black minstrels turn into white clowns and back again when they hit or kick each other.

An inventive use of slow-motion filming helps hammer home the gag as an unconvincing 'Indian chief' hopes to dissolve some trapped wind with a popular brand of indigestion powder.

An old proprietor is startled and haunted by the strange happenings inside his curiosity shop.