Animate Projects

A filmmaker captures images that characterize the violence and repression as well as the hope of rebirth and remembrance in northeastern Thailand.

A spirited young woman persuades a hyena from London Zoo to take her place at a dinner dance held in her honour. Their plan requires a surprising amount of artistry and violence.

One day a humble fisherman catches an enchanted fish. Can the fish help him, and his wife improve their lot?

A metal detectorist’s quest through the Shropshire Marshes leads us to a spectacular gold masterpiece, and the leader who sacrifices it for the sake of her child.

Winter bound, a snow queen dreams of love and the blooming of spring. Through frosted rococo cartouches she sings about the virtues of true love accompanied by miniature animated sequences.

“I don’t want to feel like it’s only me. I know it’s not only me, because there are others out there…” ‘I Don’t Protest, I Just Dance In My Shadow’ is a short visual essay film by artist animator, Jessica Ashman, about navigating the visual art and animation world as a black face in a white space. Using animation and recorded interviews of eight other women of colour artists, ‘I Don’t Protest, I Just Dance In My Shadow’ is an abstract confessional from the director herself: a visualisation of the joy, frustration, wishes and dreams of what it feels like to be a black women and a woman of colour artist, creating and existing.

Parker was commissioned by animate projects and Anim18 to create a short animated film about untold stories, specially for Instagram. Sir John Lubbock’s true story and his scientific writings on Ants, Bees & Wasps stood out as contemporary for directors, Osbert Parker & Laurie Hill who worked in collaboration on the short film. Themes of environmental concerns, cultural displacement and empathy were found in their interpretation of Lubbock’s story still relevant today. A diverse range of techniques from, stop motion, 2D cut-out’s and digital animation is combined to tell a bizarre and beautiful love story with a sting in its tale. BRAVE

Will Mr Christie allow Terry to join the Mayan End of the World Society?

An attempt to visualize higher dimensions and unearthliness, taking into account these concepts' heightened awareness, when attempting to process or predict the end of the world.

Animated fabric brings the story of a lingerie factory in Manchester to life. Silk, cotton and lace go under the camera, as the workers recount the history of Headen & Quarmby, the UK garment manufacturing industry, and British family traditions of making. A specially composed soundtrack by Swedish composer Malin Bång, inspired by sounds of sewing machinery, evokes the ups and downs of the factory.

Girls and eels compelled to revisit, re-experience and return.