This sequel to "Pandora's Box" continues director Jeffrey Lau's adaptation of the Buddhism saga "Journey to the West". Stranded five centuries in the past, Joker Monkey King must battle a variety of monsters, seductive women and super-powered villains to save the dying Pak Jing-Jing.
When the Goddess of Happiness tosses the Longevity Monk and his disciples out of heaven (because the Monkey King tried to attain immortality), the Monkey King is reincarnated as the Joker. He now spends his time chasing two jealous women. When one of them is dying, the Joker goes back in time in an attempt to save her.
An old leper who owned a remote sorghum winery dies. Jiu'er, the wife bought by the leper, and her lover, identified only as "my Grandpa" by the narrator, take over the winery and set up an idealized quasi-matriarchal community headed by Jiu'er. When the Japanese invaders subject the area to their rule and cut down the sorghum to make way for a road, the community rises up and resists as the sorghum grows anew.
A Chinese emissary is sent to the Gobi desert to execute a renegade soldier. When a caravan transporting a Buddhist monk and a valuable treasure is threatened by thieves, however, the two warriors might unite to protect the travelers.
A woman married to the brutal and infertile owner of a dye mill in rural China conceives a boy with her husband's nephew but is forced to raise her son as her husband's heir without revealing his parentage in this circular tragedy. Filmed in glowing technicolour, this tale of romantic and familial love in the face of unbreakable tradition is more universal than its setting.
An aged father and his younger, mentally challenged son have been working hard every day to keep the bathhouse running for a motley group of regular customers. When his elder son, who left years ago to seek his fortune in the southern city of Shenzhen, abruptly returns one day, it once again puts under stress the long-broken father-son ties. Presented as a light-hearted comedy, Shower explores the value of family, friendship, and tradition.
Devout Buddhists, Norbu and Dolma live with their young son Tashi in a clan in Tibet. Norbu is a highwayman. After Norbu is charged with stealing from the temple, he and his family are banished. Impoverished and marginalized, they can do little when their beloved son becomes ill. Tashi dies of a fever. After a second son is born, Norbu focuses his every action on keeping this child alive, seeking re-admission to the clan for his wife and child, then risking all to save them from isolation and starvation in winter.
Six different episodes about different generations' relationships. Love can be sweet, sour, or spicy.
Epic drama about China's first emperor (221 BC) who struggles to make his childhood best friend, now China's greatest composer, succumb to his will and compose a grand anthem to his exploits.
Honoring his father's dying words, a young man comes to the dusty desert village of Double Flag Town to claim his bride. Everyone looks down upon him because he looks inept and ignorant. When he kills a man who is attempting to rape his bride, he provokes the wrath of the Lethal Swordsman who is the rapist's brother and also a famous killer. Will our hero choose to escape with his bride or face the Lethal Swordsman? A highly stylized martial-arts film, in the style of Sergio Leone meets Hiroshi Teshigahara.
Often cited as China’s first independent feature film, this low-budget drama, filmed largely in the director’s Beijing apartment, depicts the life of a single mother (a topic considered taboo at the time) caring for her mentally challenged son. Shot with a documentary aesthetic that includes interviews with families of mentally challenged persons, the film helped kick-start the Sixth Generation of filmmakers (including Wang Xiaoshuai and Jia Zhangke) and their ethos of employing documentary realism to depict the true conditions of contemporary China.
Wang Shuangli is Deputy Director of the local Cultural Centre, and hopes to be appointed Director. However Old Ma is brought in from the country and installed as Director. This starts a long train of events with Wang's cronies using the bureaucracy to try to oust the new director.
A commercial airliner on a routine flight between Taipei and Seoul is hijacked and taken to mainland China by the Taiwan Revolutionary Army Front. Chinese authorities cannot seize the plane because of the presence of an important business figure on board, but agree to cooperate with Taiwanese authorities to defuse the tense situation.
To the Chinese, the Conference at Versailles was more of an insult at their dignity and sovreignity than a celebration of peace.
An unschooled young man, one of the countless victims of Mao's Cultural Revolution, is laboring in the countryside when he is assigned to teach in a nearby school. Gradually, he abandons the Maoist textbook and encourages the barely literate kids to write about their own lives and feelings.
A married village worker teams up with an old girlfriend to try to dig a well for his water-starved village. The well collapses and they are trapped. Their enforced confinement leads to them exploring their feelings for each other and those around them.
Engineer Zhao Shuxin has been promoted and clones a robot in his image to attend his meetings, resulting in comic situations.
An actor becomes increasingly introverted and psychotic and his entire family attempts to intervene.
Niu Er is a peddler who provides for the widow Gan Cao and her mother and son. Gan Cao sews and cooks for Niu Er but is reluctant to get close to him, because she is in love with Ba Dun, a gambler.
This film is based on the life of Kawashima Yoshiko, originally Manchu princess who was the 14th daughter of Emperor Xu, later brought up as a Japanese and served as a spy in the service of the Japanese Kwantung Army and Manchukuo during the Second World War.
