Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.
Clumsy Monsieur Hulot finds himself perplexed by the intimidating complexity of a gadget-filled Paris. He attempts to meet with a business contact but soon becomes lost. His roundabout journey parallels that of an American tourist, and as they weave through the inventive urban environment, they intermittently meet, developing an interest in one another. They eventually get together at a chaotic restaurant, along with several other quirky characters.
Genial, bumbling Monsieur Hulot loves his top-floor apartment in a grimy corner of the city, and cannot fathom why his sister's family has moved to the suburbs. Their house is an ultra-modern nightmare, which Hulot only visits for the sake of stealing away his rambunctious young nephew. Hulot's sister, however, wants to win him over to her new way of life, and conspires to set him up with a wife and job.
Jacques Tati teaches an acting class about the subtleties of certain types of people to a group of eager (but not very talented) students.
"Forza Bastia" is a 26-minute film documenting a UEFA Cup match between PSV Eindhoven and French club SC Bastia at the Furiani Stadium in 1978. Jacques Tati directed the piece at the request of friend Gilberto Trigano – the President of the Bastia club at that time. It was subsequently shelved and kept in storage until Tati's daughter Sophie Tatischeff eventually assembled the footage for release in 2002.
A bistro counter will decide the fate of two women. The first, Marie, the owner of a cafe for forty years in a Breton village, wants to realize her dream and go to the city. The second, Joelle, wants to leave town for the countryside.
