Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself.
A father and his daughter struggle to survive in deep space where they live in isolation.
Marco returns to Paris after his brother-in-law's suicide, where he targets the man his sister believes caused the tragedy – though he is ill-prepared for her secrets as they quickly muddy the waters.
Back from a professional trip to Paris, a neurologist at the pinnacle of his career has to pick up his wife so that they can attend a family meal to commemorate his father, who died a year before. At his mother's flat, the guests are waiting for the priest to arrive while arguing about all kinds of things connected and unconnected with the world’s events and wars.
Painting is an unacceptable vocation for a woman in provincial Germany in the year 1900, but budding artist Paula Becker is determined to make her own rules.
A nurse traffics the ID cards of demented patients on the black market of identity theft. Driven by easy cash, and an addiction to morphine, she struggles to keep tabs on her emotional void, and a growing fear of punishment.
Warsaw, Poland. Kamil, a street rapper who spends his time going from party to party, begins a love affair with Iwona, a wealthy married woman.
The story of two brothers, separated by time and their character, and their journey back to Italy, homeward, in the summer of 1956.
In 2014, artist Olafur Eliasson and filmmaker Claire Denis connected for the first time to explore and discuss their common fascination with phenomena that have not yet been fully explained by science – such as black holes – and their shared interest in abstraction. This short film by Denis, contemplating tests for Eliasson's work ‘Contact’, is one outcome of that conversation which would eventually lead to their collaboration on Denis's film High Life (2018), in which Eliasson designed the light installations at the films end.
