A Night That Took Everything 2024
A daughter writes a letter for her father, who she lost after he was sentenced on charges of blasphemy.
A daughter writes a letter for her father, who she lost after he was sentenced on charges of blasphemy.
A documentary about one night at Alexander Theatre in Helsinki. Staff prepares for 300 guests, serves them and closes this historically significant building for the night.
Three young women are having hard time, each of them having their own struggles. They share kindness, compassion, hope. Then suddenly one loses their phone and the girls are pulled into a sudden chase around Helsinki.
Markku built a house for his family with his own bare hands like a strong man is supposed to do. He worked hard from dawn to dusk, so that his seven children would have a roof above their heads. Unfortunately, the task ended up being too hard and Markku burnt out. One day, he left his family and disappeared abroad. The filmmaker travels to his childhood home to face his father, who he never got to know properly. Together they build a steel gate in front of the unfinished house, and try to create a relationship between each other.
As she keeps watching old home movies isolated in her hotel room, the screen becomes a mirror from which she tries to see herself. Levels of subjectivity, narrative, and reality entwine into a surrealist fever dream of scopophilic cinéma pur. The final layer of meaning is all of us watching the film on the screen-mirror in the theatre.
Out into the big wide world as fast as possible. That’s Elli’s plan. But where should she get the money from, if not steal it? When Heze falls for her, she steals from him and both have to learn: “Adulthood is a big pain in the arse”.
The documentary is a part of "Europe refuses to work" project. The goal of the project has been to gather together ideas and practices that are encouraging from the critique of work, which open up prospects for a more meaningful and sustainable world.
After the disappearance of his wife Juha has lost control of his life as well as the connection to his son. One morning a visitor comes to his door and the one-day love story following this encounter leads Juha to crossroads. We Have Heaven is a short film about old junk, nocturnal organ ballads and cosmic distances.
The summer ahead is long and hot but the burden of shame from the past is haunting Joonas, 24, and driving him to solitude. A sudden phone call changes the direction of his summer and brings Joonas to an old manor for a summer job, forcing him to open up to his new workmates and to face his shame. Joonas works hard under the burning sun, driven by his past mistakes, whilst the others lounge under the calming shade of trees. On the last day the group loses track of time and misses the last bus home. They are left at the old manor and a magical midsummer night begins.
27-year-old Mona works alone at a remote grill, studies again for the upcoming entrance exams and endlessly misses her spouse Helga, who is on a business trip. A new employee starts at the grill, 19-year-old lively and unbalanced Leo, who in all his likability makes Mona miss her past.
Story about 29-year-old Krisu, who is quite lost in her life. Luckily, she has a indie band called Wendy and the Refugee Neverland.
Somebody Should Do Something tells a story of insecurity and longing for freedom, of fear that drives people to poor choices. The main character, Elvis, falls for the new girl in class, Onerva. Seeking acceptance from his friends, Elvis lies and tells them he’s had sex with Onerva. Due to the lies and misunderstandings, the whole town is soon at a point where somebody should do something.
Rebekka and Aatos, stuck in the past, meet for the first time since their painful breakup at their treasured poetry slam. It’s easier to sing about longing than to talk about it.
After her father's funeral, Maarit plans to return to Thailand. On the day of the departure, she finds her mother Sylvi and her father’s taxidermy badger in a bar and Sylvi makes a revelation that may change Maarit’s departure plans.
Nesting is a story about Veikka (20), who is about to leave his work place - a construction site owned by Kari (50) - to start a new life in the big city. Veikka thinks the goodbyes will go smoothly, but gets interrupted by a rare situation: there’s a baby in the crane. The surprising problem is an annoyance at first, but in the end it opens up communication between the employees in a way that has been difficult in the past.
They are everywhere without us observing them. These ‘invisibles’ can only be seen on camera and only heard thanks to a microphone. Footage shot in public spaces shows people who seem non-existent to everyone else in the frame.
Janika takes advantage of her pregnancy by smuggling amphetamine from Tallinn to Helsinki with her brother.
Nick Mayers, a music icon, comes to believe that he is the only real person around whom the world revolves. When Nick announces this belief and refuses to perform on the night of a big concert, he sees how quickly his world turns against him. His theory is put to a test as he tries to escape his world.
Road racing driver Juha Kallio sits on a leather couch with a beer in his hand, watching a DVD of one of the fiercest motorcycle races in the world. ‘Could you do that?’ asks his friend sitting beside him. ‘Yeah, I could,’ answers Juha calmly, even though the Isle of Man TT Race circuit is challenging for any driver. The dangerous route has over 200 turns that need to be memorized beforehand. Participation doesn’t hang on ability alone. It takes not only skills but also luck to get a spot on a team, not to mention cash to cover the expenses. The few tenners worth of gas vouchers won on Finnish circuits barely cover the ride back home to Imatra. Maybe the local chicken farmer would sponsor a familiar face? The road to the legendary race is bumpy. The Fast of the Forest is a film about the daredevil world of road racing. It is also a story about perseverance. Quitting is not an option, even if the dream starts crumbling only moments before it is to become a reality.
A young man tries to drown out feelings brought on by his painful breakup but can't even seem to get rid of his ex-girlfriend's hair.