Impress Telefilm

The movie is about a poet and singer Lalon Fakir who belongs to a cult called baul and who believes and inculcates that the value of a human being is above the narrow belief of religions.

Political Satire '420's double-up '840' aka 'The Great Bangla Democracy Private Limited.'

Bilkis Banu lost her husband Hasan on the night of 25th March 1971. She tries to forget him and concentrate on the urban guerrilla movements of Dhaka with Altaf Mahmud, Shahadat, Mrs Khan and many more. But when spies and the razakars inform them, most of their people get arrested and Bilkis has to run for her life, towards her village.

The film tells the story of the legendary 'Shadhin Bangla Football Team' founded during the 1971 Liberation War of Bangladesh. They played friendly matches across India to raise funds which would be used in the war. The film also portrays the personal lives of few players of the team and their struggle and losses during the war. Though the film is inspired by true events, it takes cinematic liberty and mixes fiction with reality as well.

A story of love, dreams, politics, revolution, and the aftermath of a civil war in Bangladesh.

During the Bangladeshi war for independence in 1971, a group of people flee from their villages towards a safe border.

The film is revolves around a lonely woman named Joba’s mysterious life. Insatiable love, heartbreak after heartbreak, Joba’s life involving unexpected death raises several questions at various times. Is Joba really a killer? Or is there an invisible power with her?

Intertwined story of a group of friends living together and their romantic complications.

A woman breaks with traditional Muslim culture by living with her boyfriend before getting married, but when the relationship ends, she must face the harsh consequences of being an outcast in her community.

This is the story of the indomitable dream of two young brothers and their incredible journey in life and their car that has never been defeated. The story of human spirit, sufferings and simple joy.

The story of the Bangladesh Liberation War in 1971 as seen through the eyes of a young boy.

The film will highlight the struggles of women in the circus. In the film, Jaya Ahsan performs amazing acrobatics—with such feats as walking over a tightrope.

Based on 1947's book 'Ekoi Namer Golpo' by Hasan azizul Haque.

A 40 year old painter, who lives in a wooden and bamboo house on stilts in the middle of a polluted lake on the outskirts of Dhaka City. Alpha's house serves as his painting. Dogs, roosters and birds also share the space with him. There are many moments when he feels a oneness with nature and with the birds and animals that surround him. He also feels deeply drawn to 'an androgynous' male-female identity. Alpha has neighbors in the nearby slum with whom he has close interaction.

A teenager falls in love with her father's servant.

Shirja Mia is grave digger. He begs from village to village to get death news. Now he has only two things in his life. One is a doll which he bought for his daughter and other is a number which he has got from his ancestors. His ancestors believed that if someone could dig hundred graves he would surely be placed in heaven. But no one could ever reach the target. When shirja was young he came to a Char and got married. They had a lovely daughter named Rahela. He had to go to town for work. Rahela asked for a doll from the town. One day Shirja bought a doll, but he couldn't come back to Char due to bad weather. Next day he heard that the tidal bore had washed out the Char. Later he came back to Char. But he didn't find his daughter and wife anywhere. The Char was full of dead bodies. At that time he started digging graves. When one grave left to reach the hundredth, he falls in big crisis with a girl like his daughter. Will Shirja be able to complete one hundred graves?

This story and screenplay has been created with the essence from the poem “Hathat Dekha” by Rabindranath Tagore. Unseparated untouched but with times of age flowed to turn them old but they met each other in a railway compartment.

An encounter at a matinee show opens the door for something more.

Khirmohon is an old man and a potter by profession. All his life, he has struggled to keep his head above water and now is the owner of his own pottery house and a banyan tree. His two sons Satten and Nikhil stay in the city and prefer urban life. They have no interest in their father's business and want to sell up his life's work for financial gain. The silver lining in Khirmohon's life is his granddaughter Poddo, who is an eye catching dusky beauty. They stay in their village house with another person named Boishakh, who was adopted by Khirmohon when he was just a mere child. Boishakh is a passionate character, who is loyal to Khirmohon and is more interested in keeping the pottery business afloat then Khirmohon's own sons. There is a spark between Poddo and Boishakh, but it is not expressed. The story moves forward with Boishakh trying to protect the business from going into ruins by unwanted invaders and village politics.

A manifestation of lives of people coming from different classes and beliefs in a steamer as they set out for their journeys. Things start to get out of hand when the steamer gets stuck amidst the passage and deepest secrets and desires start to unfold.