DEFA-Studio für Wochenschau und Dokumentarfilme

Found footage documentary about the rise of the nazi party and the second world war.

Documents important parts of the East German rock music scene of the late 1980s, from well-established bands like Silly, to underground rock bands like Feeling B. This road movie features young people using music to express their take on life, opposition to their parents' generation and opinions on the social and political climate in East Germany. It includes clips from concerts and interviews with fans and members of various bands, such as Feeling B's Christian Lorenz and Paul Landers, now members of Rammstein.

Nine very private encounters with different people of the post-war generation and their memories of childhood and youth. Among others, the guitarist and singer Peter "Caesar" Gläser and the actress Christine Harbort. Roland Steiner asked his contemporaries about - "What we remember ...". All interviewees are as old as the state they live in. Nine CVs from the GDR are described. They have different professions, from skilled worker and scientist, nurse and saleswoman, actress or rock musician, even a minstrel is included. They remember what shaped them: Family, school, birthdays and hot summers, the happy moments and their own failures.

Documentary on the master composer, from a GDR point of view.

The only documentary ever made by DEFA on the topic of homosexuality was this public education film commissioned by the Hygiene Museum Dresden and produced in cooperation with East German gay and lesbian activists. In interviews, GDR lesbians and gay men talk openly about their first sexual experiences and coming out. Though the film tries to convey an official GDR acceptance of homosexuality, they also talk about social discrimination against openly gay individuals.

Posing as West German journalists, East German documentary filmmakers Heynowski and Scheumann pay a visit to the notorious Nazi-turned-mercenary Siegfried “Kongo” Müller, pump him with booze, and get him to talk about his life and war campaigns in Africa.

Started in the summer of 1961, even before the Wall was built, the film becomes an explanation after this historical event as to why things can no longer go on as they were before. Unmistakably, as in almost all of Karl Gass' films, the passion with which he treats his subject is unmistakable. If you want to get to know the zeitgeist of the historically significant year 1961, which on both sides knew more the Cold War vocabulary than factual arguments, you can see the Eastern variant in this propaganda film.

In two chapters the film shows men in divided Germany willing to leave their country. In the first chapter, East-Germans are shown who leave their wives and children behind in order to live in the Federal Republic of Germany. In the second chapter, unmarried West-Germans try to move to the German Democratic Republic.

The film deals with the infamous "Kommando 52", which was active in the 1960s civil war in the Congo and was recruited mainly from West German men. Among them is the former Wehrmacht officer Siegfried Müller. Based on personal accounts and original material - backed by tape recordings of interviewed mercenaries and photos of murdered Africans - it creates a hard hitting historical document.

From an official perspective, marginal youth culture did not exist in East Germany. The topic of subcultures was taboo in the GDR, and groups such as goths, skinheads, anti-skins, punks and neo-Nazis were dismissed as social deviations promoted by western countries. Director Roland Steiner had access to such young East Germans in the late 1980s. Over the course of four years, he brought them before the camera in an attempt to understand what drew them to these groups.

With films including the 'rubble woman' portrait Martha, the three-part experimental film cycle Potter's Stier, Venus nach Giorgione and Frau am Klavichord, the portrait of the artist Kurzer Besuch bei Hermann Glöckner, and also the documentaries Rangierer and Die Küche, noted for their outstanding sound and visuals, Jürgen Böttcher distances himself yet further from the didactic tone and abstract heroic representation of socialist films.

Vacation in Sylt is a black and white compilation film about Heinz Reinefarth, a Nazi Party member, high SS police leader of Warthe, and later mayor (1951-1964) of Westerland/Sylt.

An international anthology about the struggles of female workers around the world.

Documentary short about the Leipzig Tradefair in 1946.

A realistic satire about the path of the German Democratic Republic from its foundation until its 40th birthday. This eye-opening film tells the history of the German Democratic Republic through East Germany's official newsreels and state films.

At the Eisenhüttenkombinat Ost an der Oder, a new blast furnace is being moved to replace a burnt-out one. 2000 tons have to be moved 18 meters: Three times we hear it in the commentary. Master Klaus is now in command. His orders are to be obeyed at all costs. Men at work: tense faces, examining hands, the sound of screeching winds and steel cables stretched to breaking point. Everything is going well, and it is a new best performance: The downtime of the plant has been reduced from 80 to 40 days, the commentary says.

A documentary about young people just starting their higher education and their professional life.