Mira Lo Que Trajo la Diligencia

The marks of the violence of the Chilean state, against its own compatriots. Flicker Film. 35mm B & W Still Photography. Silent.

An unemployed man wanders the streets of Santiago de Chile in the 80s (Pinochet's Chile), looking for a chance to be a hero. In an old cinema in the center of the city, it may has his opportunity. A student film by Gabriel Lizama AKA Liz Taylor.

Don Luis Valdez is a luthier of traditional music instruments, who embarks on the task of teaching a group of inmates from the "Santiago 1" prison (Chile), to build a guitar.

When there is no body, the voice becomes light to continue burning in existence. Sometimes a light that illuminates, other times a dark light that moistens the stone and the memory. By decoupage, those voices can move through time again. Photographed in the General (1821) and Catholic (1883) cemeteries of Santiago, Chile. Flicker Film. 35mm B & W Still Photography. Silent.

A middle class couple in Chile at the night that Cecilia Bolocco becomes Miss Universe. A student film by Gabriel Lizama AKA Liz Taylor.

Documentary-essay short film about a inner/outter trip to the flowery desert in the north of Chile. A student film by Gabriel Lizama AKA Liz Taylor.

Pablo Deformes is a dreamy child who lives in Santiago in the 1960s. Little by little, reality begins to enter his childish world of fantasy, forcing him to grow up. A student film by Gabriel Lizama AKA Liz Taylor.

The military in the air and the people on the ground. Two dances. A "panorama" of still photos of the Chilean independence day celebrations in the former Cousiño Park, emblem of the Chilean popular party for more than 150 years . Photographed on September 19, 2024, the infamous "day of the glories of the army". Flicker Film. 35mm B & W Still Photography. Silent.

A young girl from the town of Chillán (Chile) marries her cousin in 1962. In reverse, the moment and its ghosts emerges from oblivion and returns to it. This is a 8mm family film compiled and re-structured by Gabriel Lizama (AKA Liz Taylor)

People leave (and return) from a church after Sunday Mass more than 120 years ago. The creaking of time and the darkness behind the ancient ritual of praying for our existence dance eternally, like a river of souls. Liz Taylor's visualy noisy reinterpretation of the film "Congregation Leaving St. Mary's Pro-Cathedral, Dublin" (1901) by the Edwardian filmmaking duo James Kenyon and Sagar Mitchell.