Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.
The magician appears upon the stage with an imp as his assistant. The imp holds a piece of cloth in his hand. At the command of the magician the cloth is suddenly transformed into a beautiful girl, clad in tights. A barrel is then introduced and the girl enters one end.
First narrative polish film. The janitor sweeps the pavement in front of the tenement house. A carriage comes with a rather solidly inserted young man. He is well-dressed but has lost all his strength. Merry Fellow needs help.
It is winter and a couple invites an old woman to eat. The old woman then becomes a fairy and makes the spring appears.
Georges Méliès adaptation of Robinson Crusoe, the first film adaptation of the story. Filmed in black & white, Méliès would then paint the film by hand to colour it. Originally a 15 minute film, twelve and a half minutes of painted film have been found and have been restored.
One of the two oldest known films made in Poland, with the other being The Return of a Merry Fellow, also made in 1902.
This picture depicts the eruption of the volcano by which over 30,000 souls were hurled into eternity. The numerous explosions which took place during the eruption are plain to be seen. Thousands upon thousands of tons of molten lava, sand, rocks and steam are thrown high in the air and descend with crushing force upon the unfortunate inhabitants of the doomed city of St. Pierre. This is the worst calamity which occurred since a similar eruption by Mt. Vesuvius when Pompeii was destroyed. (Lubin Catalog)
A dissipated man sits at a table with a decanter of whiskey and a glass beside him. A revolver is on the opposite side of the table. He pours a glass of whiskey and, with a despairing look, starts to drink it. He changes his mind, grabs the revolver, and places it against his temple, but then changes his mind again and lays the revolver carefully on the table. He drinks the whiskey with a contented smile and thumbs his nose at the audience.
This fascinating record of Edwardian Nottingham was filmed from the driver's platform of a tram on a single journey through the city centre between its two main stations. The sequence follows the same route as today's Nottingham Express Transit tramway, taking the viewer along Listergate and Wheelergate into Old Market Square before turning right into Long Row and on into Queen Street.
The well-dressed Edwardian ladies and gents of the county tour the annual agricultural show.
Fox terriers kill rats in an aviary while excited spectators watch on.
King Edward VII's coronation ceremony.
Three girls are taking a bath in a quiet, shady spot along a beautiful stream. Another young lady in bathing attire reclines on the bank. The latter suddenly discovers two hoboes coming toward the bathers and immediately gives the alarm. They throw water over the hoboes, who gather up the clothes of the fair bathers and make off, compelling the bathers to walk home in barrels. In order to conceal themselves as much as possible they hold the barrels rather high.
In this film, we show the interior of a doctor's office. A patient enters, and judging from the expression on his face, he is in great pain. The doctor tells him that he is troubled with acute indigestion, and immediately places him upon the operating table. He begins his treatment by cutting off the patient's arms and legs with a huge saw. After removing these members, he takes a large knife and makes an incision in the unfortunate's stomach large enough to put his arm in. He then removes such things as bottles, knives and forks, lamps and other articles of furniture from the patient's body ...
Porter's sequential continuity editing links several shots to form a narrative of the famous fairy tale story of Jack and his magic beanstalk. Borrowing on cinematographic methods reminiscent of 'Georges Melies' , Porter uses animation, double exposure, and trick photography to illustrate the fairy's apparitions, Jack's dream, and the fast growing beanstalk.
A prestidigitator orders his assistant to bring a cabinet, which is displayed piece by piece to the audience. Two gentlemen are then introduced; they enter the cabinet and are securely bound with ropes to the chairs. The doors are closed and immediately the heads of the two men appear through apertures in the doors. The doors are immediately thrown wide open and the men are disclosed bound to the chairs as securely as at first. From this moment the most amusing scenes are enacted without interruption. The poor prestidigitator even loses his head, which is found upon a stool, while his body has been struggling in the most amusing way.
Aristocracy, army, elephants and more mark the start of the 1903 Durbar.
Women getting onto a rickshaw.
At the christening and launching, our cameras occupied a most enviable position, being within ten feet of Miss Alice Roosevelt and Prince Henry at the time the bottle was broken. The scene opens by the band of the Royal Yacht "Hohenzollern" marching up the platform. Next a close view is shown of the arrival of President Roosevelt, who shakes hands with Mayor Seth Low, of New York City. Next comes Prince Henry and Miss Alice Roosevelt, accompanied by Colonel Bingham, of the U.S. Army, and Ambassador Count von Holleben, followed closely by Admiral Count Baudissin, of the Hohenzollern, Adjutant General Corbin and representative officers of the United States and German armies and navies. The party immediately proceed to the launching stand, followed by our panoramic cameras, Miss Alice Roosevelt leaning on the arm of Prince Henry of Prussia. A short wait taken up by conversation between Prince Henry, President Roosevelt and his daughter here ensues.
“This is an absolutely new and extraordinary subject. A juggler takes in succession about a dozen eggs out of his servant's mouth. He breaks all the eggs into a hat, and after having beaten them up after the manner of a cook, he extracts an egg as large as the hat itself. As soon as he sets this egg on the table there appears a tiny dancing girl, full of life, as big as a baby's doll, and who performs on the table some beautiful stage dances. All of a sudden she increases to the size of a ordinary woman, and jumping on the floor she delights the audience with her turns. The juggler and the dancing girl disappear in the most extraordinary way.” (Méliès Catalog)
