The story of Sanshiro, a strong stubborn youth, who travels into the city in order to learn Jujutsu. However, upon his arrival he discovers a new form of self-defence: Judo. The main character is based on Shiro Saigo, a legendary judoka.
At the beginning of the Meiji era, three brothers of a samurai family each stand up to the times.
This film attempts to reconstruct the tension of the Battle of Shanghai through an episode in an understated way, introducting its story in a documentary mode. In the film story, Japan's marine regiment protects Japanese residents and Chinese refugees-women and young children-from rampant street fighting, Shanhai Rikusentai unsparingly uses its first eight minutes for an official-mannered self-justification of the war. From the viewpoint of explaining Japan's military operation,the narration refers to the city s spatial division in sync with maps on screen.
“19 vassals of Lord Hosokawa ask permission to commit harakiri with him, as a demonstration of their loyalty. Only Yaichiemon Abe is refused permission, forced instead into the vassalage of his lord’s successor. Humiliated and derided, Yaichiemon eventually commits harakiri without permission. His eldest son is then punished for Yaichiemon’s suicide, and when he resists, is sentenced to death. The entire Abe clan rebels upon the son’s execution, and the clan is annihilated.” --Alan Poul, Japan Society
Japanese Navy air cadets train for the attacks on Pearl Harbor and the HMS Prince of Wales.
A sentimental tale of the filial love between shogun Iemitsu (matinee idol Hasegawa) and his loyal old retainer Hikoza (comedian Roppa, playing somewhat against type).
A 1942 Jidaigeki by the veteran jidaigeki filmmaker Kunio Watanabe about the legendary warrior Musashibo Benkei with Hideko Takamine portraying Minamoto no Yoshitsune (who is, of course, a man). The film climaxes in the famous encounter/fight btw Benkei and Yoshitsune at the Gojo Bridge.
This epic depicts the battle between Uesugi Kenshin and Takeda Shingen. The focus of the story is the struggle by the unit leader in charge of the main supply wagons and the supply troops to transport materiel to the Uesugi army. To this are added episodes involving an itinerant woman.
A self-absorbed young actor humiliates an elderly Noh performer, who then commits suicide. His act of cruelty compels his father to disown him, leading the once promising actor to a life on the streets. But his desire to win back the respect of his father and the affection of the dead actor's daughter pushes him toward a more noble existence. Naruse employed a delicately structured mise-en-scene in this family melodrama, which evokes the work of Josef von Sternberg.
Set in Qingdao, China, a Japanese company locates an office there and begins work and cooperation with a local Chinese company for business. Many Japanese engineers also move to China, with their families, for the company in order to construct a canal. There are young Chinese resisting the Japanese in this area.
1940 Japanese movie
A half brother and sister work at a hotel in Hakone respectively as a porter and a souvenir shop clerk. They are close. One day a woman named Hasegawa checks into the hotel in order to recuperate in a calm environment with fresh air. She is the mother of the store employee. The mother and daughter were separated due to the Kanto earthquake. The girl was practically raised by her older half brother.
Wartime propaganda filmed by the Japanese in occupied China, Shirley Yamaguchi portrays an orphan rescued from the streets by a kindly Japanese merchant marine officer. Part spy thriller and part Shanghai travelogue, it was part of a popular series known as "Chinese Continental Friendship" made by the occupying Japanese in China.
It was supposed to be about a love story, but it was and was not. An aircraft mechanic working for the government is matched by his boss with the latter man's daughter (Setsuko Hara) who is both beautiful and aggressive. Yet, he picks a woman who is less assertive as his bride.
Young men endure challenging flight training in the Yokaren, a program feeding new pilots into the Army and Navy. By the time of the filming, the pressure of the war had led the government to shorten the training and expand the age range of the recruits. Yokaren was highly selective, and thus an object of great fascination and desire for boys and young men. In this Navy–sponsored film, Setsuko Hara plays the daughter of a family that often entertains recruits on their days off—a surrogate sister to many trainees. Her fragile younger brother aspires to join the program, but is rejected. With perseverance and much support from Hara and their mother, he surmounts his weaknesses and becomes a flier.
Drama about a couple and how they found themselves related with music, their egos and each other.
Set against the backdrop of an imperial victory in the civil war leading up to the Meiji Restoration, Fallen Blossoms tells the story of the sorrows of women in a geisha house in Kyoto by recounting the relationships of its inhabitants.
This is the only surviving “Mito Komon Manyu-ki” film. This release also known as "Adrift Tour Memoir" or literally "Mito Komon's Pleasure Trip" is an 80-minute compilation of the first (東海道の巻 or "Tokaido no maki") and second (日本晴れの巻 or "Japan's Fine Weather Reel") parts (147 minutes), which were re-edited and screened at a time when presentable films were dried up immediately after the defeat of the war.
A bizarre murder at a hot springs resort threatens to disrupt an Edo detective's (Hasegawa) vacation. When his hot-blooded wife (Yamada) starts snooping around, however, he finds himself reluctantly drawn in to the case.
