There are two worlds in this house. One where a mother and daughter reside, and another where two women reside. The two worlds begin to cross, gradually disrupting the lives of those involved. What will happen when everything connects?
A young couple's announcement of their engagement to their friends is followed by a series of interactions and conflicts that forces everyone to reflect on their lives.
Brooding outsider Mikiro catches Sotoko just as she reaches a breaking point in her claustrophobic rural life. Their encounter introduces an eroticism with a violent edge that threatens to slash apart her toxic marriage with the abusive Atsuya and his web of small town corruption.
I'm the only one who can't live without an oxygen tank in the underwater world. No matter how suffocated I feel, I preserve peace and harmony by pretending the selfish girl and my friends with complicated family backgrounds don't bother me.
December 30th, 2017. Two years before the Tokyo Olympics, due to a revision of the Constitution, a National Defense Force is created in Japan and it starts military operations. In an incineration plant, a dog goes lost, but when Tani goes looking for him, she finds nothing. In the plant, Yanais takes down the Christmas decorations and replaces them with the ones for New Year. Gou, addicted to survival games, comes to the plant during the night and starts playing video games with Ken, even if it is his day off. In the meantime, Adachi is just watching their game to kill time. However, all these men share similar problems: pregnancy, adultery, family issues and a friend who died in the war. Meanwhile, Tani, who is troubled with her immoral relationship with Adachi, begins to feel that her father, who was the plant’s manager and is supposed to be dead, seems to be around somehow.
Red ribbon of a double helix is the bond to connect the girls; the transmitted touch of. . . soft hands, and the gentle memories only girls can inherit. Those dreamy moments abruptly end and the bodies transform regardless of their intentions. The ‘xx’ gives and takes. It is an inescapable thread of fate. This is a girl’s animation to warn the end of girlfriend to warn the end of girlhood. . .
After a failed wedding shoot, Bae-hwan meets Ryu—a callboy tangled in a murder case—and offers him a way out.
A mother goat rescues her kids from the belly of a wolf, but where is her eldest son Toruku?
Playtime ends at the five o'clock chime. And there comes the indefinable time between vanishing playtime and dinner time at home.
Memories from the ancient times have been engraved on his body. "Where do we come from?"he asks,"Where are we going?" Would the light guide us there? This is a journey of blind pursuit for wisdom.
Ichiro Sasaki, 35, is working for a small training school in Tokyo. Though his work and his life are rather dull, he at least gets along somewhat well with his young daughter. He recieves a phone call one day, informing him of the sudden death of one of his colleagues. Shortly after this shocking news, his wife who is now living apart cuts him down further by telling him, "You don't see anything." While walking in the night, Ichiro is struck by an idea: why don't we go there? He heads off holding his daughter's hand. And thus begins a strange little tale of an ordinary father and his daughter.
Even though I feel like I'm living in the now, here, I think I just end up being in nowhere all the time. And in the nowhere, I find the now and the here.
A murder takes place in the town where Kenta Ochiai lives. The mutilated body is found by the riverside and Kenta, an elementary school boy, sees a crocodile swimming in the water. Being labeled as a liar in class, he decides to capture the creature with his friend. Was the body mutilated by the crocodile or the murderer? All connections lead to the riverside involving his teacher, parents and a girl practicing her trumpet across the river.
Everyone has a sense of justice. The protagonist thinks her ideas are right and voices her opinions through protests for social justice. One day the demonstration turns violent. Maybe we could live in peace if self-righteousness were to disappear.
Kazuya Naruse, an obedient programer falls for a girl "Rumi", whom he gets to know through chat rooms. Naruse lost himself in this love, as if he lives in another world. Rumi has a mentally ill husband. Spending time with these two, the illusion of love in Naruse gradually changes to uneasiness and insanity.
Teto is a secret agent trainee. Hatoko is a high school student who lives on venting her anger in a combined combative sport gym. On the day Hatoko saw Teto, she runs into cat's suicides. While she experiences a fighting awakening, Teto's superior orders Teto a final examination of infiltrating into a theatrical company, which is composed by orphanage members. Every night, they repeat rehearsing a folktale "Foxed Eyes Torakichi", that modeled legendary outlaw. In a muxture of stage play and costume drama, Teto and the leader build up weird similar figures.
Shimada has been failing auditions one after another and worked as an extra in films. One day, his senior colleague invites him to audition for a company called "Friendship," where actors pretend to be the person the customer wants them to be. Accepting the job, he encounters a customer, Mio, who is planning terrorism.
Taneno, an elite police officer who became obsessed with righteousness, attacks his wife, Mitsuko, with a goya (bitter melon) for pleasuring herself with it. As he leaves prison after serving his sentence, he accidentally boards a taxi offering illegal prostitution services. On board, he meets Omitsu, a woman who looks just like Mitsuko. His presence in the car sends her away from the taxi. The driver holds Taneno responsible and forces him to serve his taxi. Back in the force, Onari, a lazy cop, and Asadachi, a new recruit, begin their investigation on a suspicious taxi.
Fired from his part-time job in a restaurant kitchen for absenteeism, rookie boxer Tamura has a lot to be angry and frustrated about in his life. But things start to change when he’s approached at the gym by the artist Hattori, who wants to use him as the new model for the manga character Yellow Kid. Yellow Kid first appeared in an American comic in the late 19th century, and Hattori revived him as an older character a century later.
There are three "Motifs". The complete differences between them make themselves self-doubt. The melody begins, and the music motif could not resist the impulse to dance, but the others also catching up ... Am "I" also a "Motif"? This film uses a Fugue from Bach, tries to unify similar concepts that exist in different forms, including music, visual arts, and narrative.
