City of God – 10 Years Later investigates what happened to the actors who took part in the award-winning film directed by Fernando Meirelles and Katia Lund. This documentary shows what City of God’s worldwide success meant to their lives. Were the actors prepared for the film’s success? Did the social background of some of them prove stronger than the opportunity that came their way?
Dé, Adrianim and Martins are three black teenagers from Chatuba, Rio de Janeiro. When Dé receives the news that Almerinda, his grandmother, is in the terminal phase of Alzheimer's disease, he decides to enjoy the last days of her life together with his two best friends.
Bianca manages a precarious living as a talented but underemployed actress in Rio de Janeiro, performing for private events dressed as movie icons. Troubled by the belief that she has missed her big break, Bianca's situation is upturned by an audition that leads to a rare opportunity.
Silvana is a tired woman. The world no longer belongs to her, the invisible bothers her, the daily life oppresses her. What she wants sometimes is to abandon everything and go back home.
Learn about the trajectory of student leader Marcos Medeiros and learn more about his exile in France and Cuba. In 1968, he joined the counterculture when political activism became an audiovisual expression of intervention in social reality.
Xeu and Lidiane are going to have a child. She pressures him to sell his motorcycle and get another job. The news of the pregnancy and Xeu’s to a cousin in Maré brings instability to the relationship.
Film about the life and death of Octávio III, musical producer and actor.
Ana who lost her mother, works as a dog walker in the south of Rio de Janeiro and lives on the outskirts of the city. Her brother is discovering the drag queen universe, creating tensions with the homophobic neighborhood. Ana has a group of activist friends who try to support her, including mental health support. The arrival of an old boyfriend stirs up personal tensions and draws the attention of armed groups that dominate the region.
Benjamim Zambraia is a young drunk who wanders around the city and is sometimes treated with pampering and sometimes with a beating by his parents (Helena Ignez and Otávio Terceiro). As in Chico's book, the boy is obsessed with a big stone.
Cléo is making her first film, inspired by french cinema and the nouvelle vague.
This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.
Mateus is a video store clerk that deals with several weird clients everyday while he dreams to be a filmmaker like Tarantino.
The son of a filmmaker from the 1960s and 1970s searches for his father's latest unreleased work. In this search, he retells the history of pornochanchada and presents a look at cinema and Brazil.
On March 1, 1982, the city of Niterói enters history and hosts one of the most important cultural movements: a so-called Rock 80 Generation. Radio Fluminense FM, known as “A Maldita”, goes on the air, mixing irreverence, daring and creativity with its programming aimed at music that lacks commercial space. The boldness of believing in the new made “Maldita” become one of the main alternative communication vehicles, launching Brazilian rock groups and independent music and creating a legion of fans.
Documentary that presents an overview of the production of cartoons and comics in Brazil.
An encounter of novelist Lúcio Cardoso and poet Murilo Mendes haunting ghosts with their characters.
Experimental movie about Rio de Janeiro's Museum of Modern Art's Movie Archive (Cinemateca).
Greg (Jorge Caetano) is a screenwriter hired to write a script about Maria Guaranis, a radical-style artist who has gone missing. As the author produces the script, he ends up identifying with Maria and getting lost in the creation process.
