Trimafilm

The fate of Nora, a supermarket cashier who lives happily with her boyfriend Aron, and that of Natan, a loving father who works as a night watchman, cross paths when misfortune turns their lives upside down.

If you don‘t see things as a problem, you don‘t have one. This is the attitude Janne is trying to maintain towards the fact of being raped by the brother-in-law of her new boss. In the aftermath of her private bankruptcy, she needs a job and hates the idea of being a victim. Still, remaining silent about the incident has its consequences.

As a contestant in a singing casting show, Lea is asked by the TV team who she is and what makes her special. She doesn't know and begins to slip into different roles in her search for what makes her special, developing an unexpected fascination for her aunt Kati. Kati's return home as head architect for the renovation of the Residenzschloss after many years abroad reunites the family in one place. This reunion raises the hopes of grandparents Friedrich and Christel that they can join forces to give their pension, which has few visitors, a new lease of life.

Ivo works as a palliative home-care nurse. Every day, she visits families, couples and single people. They live in small flats and large houses. They all have different lives and deaths. They all have different ways of dealing with the time that remains. At home, Ivo’s teenage daughter has long since become independent. From morning to night, Ivo drives around in her old Skoda which she has made into her personal living space. Here, she eats her meals, works, sings, swears and dreams. One of her patients, Solveigh, has become a close friend. Ivo has also formed a relationship with Solveigh’s husband, Franz. Day after day, the two work together to care for Solveigh. And they sleep with each other. Solveigh’s strength is diminishing and she soon has to rely on support for the simplest tasks. She wants the final decision to be her own: she wants Ivo to help her die.

This lesson in political revelation focuses on the shooting down of the Malaysian passenger jet MH17 over eastern Ukraine in 2014. A meticulous, investigative exposé that lays bare the mechanisms of Russian warfare.

The global plastic crisis is dismantled and reassembled in a well-researched, cinematic film that not only points to the problems, but also to possible solutions. Probably the most important climate film of the year, with an attentive eye on greenwashing and climate racism.