Norma Talmadge Film Corporation

A 1924 film directed by Sidney Olcott.

A 1920 film directed by Albert Parker.

Puck is a music hall dancer, married to an abusive husband. One night the music hall catches fire. Puck is rescued by an army officer and her husband perishes. Puck marries the officer and they begin a new life in India, until a man from her past finds her and makes demands.

Kiki, a poor young woman who sells newspapers on the street corners of Paris, is able to land a job singing and dancing at a nearby theater. While she is there, she invites herself into the life of the revue's manager, with whom she has fallen in love.

A 1919 film directed by Edward José.

A young woman marries the wastrel son of a British aristocrat. Her husband, who has been disinherited by his father, loses what little money he has left gambling in casinos and then dies, leaving her penniless and with an infant son. When her former father-in-law tries to get custody of the child, she leaves him with a couple she trusts, but when she later goes to reclaim her son, she can't find the people she left him with.

The story is essentially the same as the popular Jane Cowl play, with Talmadge in the dual role of Kathleen and Moonyean. Kathleen, a young Irish woman, is in love with Kenneth Wayne but is prevented from marrying him by her guardian John Carteret. John is haunted by memories of his thwarted love for Kathleen's aunt, Moonyean.

When Marie Callender is left a fortune by a wealthy old admirer on the condition that she marry the man she loves, Marie targets Ernest Lismore but is too shy to ask him to marry her. Instead, Marie disguises herself as an elderly woman of considerable wealth and offers to bail Ernest out of his impending bankruptcy in exchange for marriage, with the understanding that if Ernest ever falls in love with another woman she will grant him a divorce. Then Marie disguises herself as June Dayne in order to make her husband fall in love with her. She succeeds, and when Ernest confesses his love for another woman, Marie discards her disguise and Ernest discovers that the woman with whom he is in love is his own wife.

The Song of Love is a silent film of 1923 directed by Chester M. Franklin and Frances Marion. The film was produced and starred Norma Talmadge.

Based on the 1852 novel and play La Dame aux Camélias by Alexandre Dumas, fils.

A 1917 film directed by Joseph A. Golden & Julius Steger

A woman sacrifices everything for her husband's career.

When anarchist bombs disrupt the engagement ball of Princess Marie Pavlovna, her fiancé, Prince Michail Koloyar, helps her to escape in a carriage. Then Theo Kameneff, secretly in the pay of a foreign government, becomes dictator and, desiring the princess, issues an edict that all women between the ages of seventeen and thirty-two must register and become state property.

Lord Carlyle governs a province in India. Although he weds the beautiful Adrienne, he can't make her love him. And no wonder -- he's not only cruel, he's unfaithful. Adrienne leaves him and boards a ship with the intention of returning to England. But on the boat she meets Andrew Fabian, who is studying for the clergy. They fall in love, and he convinces her to accompany him on a pilgrimage to Damascus.

This historical piece, set in the Huguenot days of France, is Norma Talmadge's 37th feature film and the longest to date at two hours. The plot involves a man forced into servitude who falls in love with the sister of his persecutor. It was Ms. Talmadge's fourth involvement with director, Frank Lloyd and the cast included future star, Wallace Beery.

A 1922 film directed by Frank Lloyd.

A 1918 film directed by Roland West.

The daughter of a Chinese mandarin is sentenced to death for her secret marriage to an American. Their child, raised in the mandarin's palace, grows up and escapes to seek her father, now a high-ranking official in the Philippines.

Spoiled young heiress Lucy Gillam knows only a life filled with parties and flirtations until she falls in love with a man who loves only her money. She marries him, and after their child is born, she is confronted with life's harsh realities after her husband demands more and more money with which to support his mistress.

A 1921 film directed by Herbert Brenon.