Sylvia is a social worker who leads a simple and structured life: her daughter, her job, her AA meetings. This is blown open when Saul follows her home from their high school reunion. Their surprise encounter will profoundly impact both of them as they open the door to the past.
With a father suffering from neurodegenerative disease, a young woman lives with her eight-year-old daughter. While struggling to secure a decent nursing home, she runs into an unavailable friend with whom she embarks on an affair.
A post-apocalyptic story about a rich family living in a salt mine converted into a luxurious home. The earth around them has apparently been destroyed, but their son has never seen the outside world. As a young girl appears at the entrance of the bunker, the balance of the family is threatened.
Elizabeth Sankey’s deeply personal documentary examines the relationship between the cinematic portrayals of witches and the all-too-real experiences of postpartum depression by utilizing footage that spans the entirety of film history alongside heartrending personal testimony.
Reunited after a 17-year separation, Walter, an Angolan immigrant, is joined in the U.S. by his wife and teenage daughter. Now absolute strangers sharing a one-bedroom apartment, they discover a shared love of dance that may help overcome the emotional distance between them.
A young filmmaker, Vita, revisits her first chaotic attempt at filmmaking 15 years prior. Shooting a semi-autobiographical film starring her friend Dina, Vita’s eager but inexperienced approach causes the production to spiral into chaos, leading to significant disruptions and a near-fatal accident.
When the ongoing rivalry between farmers Michael (Christopher Abbott) and Jack (Barry Keoghan) suddenly escalates, it triggers a chain of events that take increasingly violent and devastating turns, leaving both families permanently altered.
Paul, a 20 year old midwesterner, arrives at the central bus station and quickly catches eyes with Wye, a 22 year old girl voguing on the sidewalk. After Paul seeks her out in secret, an intense love between them blossoms. But when Paul discovers Wye is trans, he is forced to confront his own identity and what it means to belong.
With high school in the rearview, five teenagers from inland Oregon embark on one last adventure. Piling into a van with a busted tail light, their mission takes them to a place they’ve never been—the Pacific coast, five hundred miles away. Their plan, in full: “Fuck it.”
Staged as a series of voiceover sessions, written with gloriously off-balanced precision and dipped in the color green, THE FUTURE TENSE unfolds as a poignant tale of tales, exploring the filmmakers’ own experiences in aging, parenting, mental illness, along with the brutal history that lies submerged beneath Ireland’s heavy, moist earth.
Three separate stories all concern the relationships between adult children, their somewhat distant parent (or parents), and each other. Each of the three parts takes place in the present, and each in a different country. Father is set in the Northeast U.S., Mother in Dublin, Ireland, and Sister Brother in Paris, France. The film is a series of character studies, quiet, observational and non-judgmental. A comedy, but interwoven with threads of melancholy.
James Mooney orchestrates an audacious art heist against the backdrop of the Vietnam War and the country’s burgeoning women’s liberation movement. As he engages in this daring criminal endeavor, he must navigate a world marked by shifting social and political dynamics.
In the claustrophobic confines of a rural estate, a family struggles with their tangled web of hereditary diseases. Among them is Alessandro, a young man with epilepsy and paranoid tendencies. Feeling burdened by the numerous afflictions that plague his family, he decides to murder them all.
Plot under wraps. Said to be a period piece set in the UK.
