City of God – 10 Years Later investigates what happened to the actors who took part in the award-winning film directed by Fernando Meirelles and Katia Lund. This documentary shows what City of God’s worldwide success meant to their lives. Were the actors prepared for the film’s success? Did the social background of some of them prove stronger than the opportunity that came their way?
Palermo, Sicily, 1980. Mafia member Tommaso Buscetta decides to move to Brazil with his family fleeing the constant war between the different clans of the criminal organization. But when, after living several misfortunes, he is forced to return to Italy, he makes a bold decision that will change his life and the destiny of Cosa Nostra forever.
Stênio, the nightshifter of a morgue, has the ability to communicate with the cadavers that are brought to him every night.
Dayana lives an abusive marriage with former police officer Elias, owner of Motel Destino. When 21-year-old Heraldo finds himself at the motel after messing up a hit and going on the run, Dayana finds herself intrigued and lets him stay. As the two navigate a dance of power and desire, a dangerous plan for freedom emerges.
In 2027 Brazil, civil servant Joana mainly deals with divorce cases. As a member of a branch of evangelical Christians known as the Divino Amor group, she uses her position to offer a kind of physical therapy to couples who want to separate. Although Joana and her husband Danilo regularly consummate their marriage, neither her constant prayers nor any other methods of assistance seem to be able to fulfill their desire for a child.
Rio de Janeiro, Brazil, 1950. In the conservative home of the Gusmão family, Eurídice and Guida are two inseparable sisters who support each other. While Guida can share with her younger sister the details of her romantic adventures, Eurídice finds in her older sister the encouragement she needs to pursue her dream of becoming a professional pianist.
Mexico City, November 1901. The police raid a private home where a secret party is being held. Among those attending is the son-in-law of President Porfirio Díaz.
Bacurau, a small town in the Brazilian sertão, mourns the loss of its matriarch, Carmelita, who lived to be 94. Days later, its inhabitants notice that their community has vanished from most maps.
Like the perfect ending of a great film - that is the way filmmaker João describes the end of his 10-year relationship with Hugo. Despite breaking up, they remained best friends. However, reentering the dating scene brought a whirlwind of emotions, revealing that reality can’t be controlled like a movie script.
By day, Mari and her friends broadcast their spiritual devotion through pastel pinks and catchy evangelical songs about purity and perfection, and by night they form a vigilante girl gang, prowling the streets in search of sinners who have deviated from the rightful path. After an attack goes wrong, leaving Mari scarred and unemployed, her views of community, religion, and her peers begin to shift.
Experience Roque's routine years after the first movie. Joana's tenement is still full of parties, gossip and confusion. The neighborhood prepares for the Iemanjá party, while dealing with the controversies of the neighbors.
Zeca tries to get up early to catch the bus and arrive an hour and a half later at the neighboring town’s school, where he works as a librarian. Waking up early is evermore difficult: something prevents him from maintaining his routine. One day, Zeca meets Louisa.
Soon after learning of the death of his mother Pérola, Mauro returns to his old family home in Bauru (São Paulo, Brazil). A look back into his mother’s peculiar habits, her illusions, sense of humor, spirituality, and desire to control all things... with the love and tenderness that only distance and time allow. A reunion between mother and son: their conflicts, conversations, and dreams of a better life all converge in constructing a swimming pool in their backyard. It is a portrait of an ordinary family that fights, makes up, celebrates, cries, and carries on, full of stories just like any other.
The Martins family are optimistic dreamers, quietly leading their lives in the margins of a major Brazilian city following the disappointing inauguration of a far-right extremist president. A lower-middle-class Black family, they feel the strain of their new reality as the political dust settles. Tércia, the mother, reinterprets her world after an unexpected encounter leaves her wondering if she’s cursed. Her husband, Wellington, puts all of his hopes into the soccer career of their son, Deivinho, who reluctantly follows his father’s ambitions despite secretly aspiring to study astrophysics and colonize Mars. Meanwhile, their older daughter, Eunice, falls in love with a free-spirited young woman and ponders whether it’s time to leave home.
Iremar works at the rodeo in North East of Brazil. From his home, the truck he uses to transport the animals, he dreams of a future in the region's booming clothing industry.
Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.
Borderless Love is a romantic comedy about two couples - Pedro and Joana, Brazilians; Martin and Pilar, Argentines - involved in an involuntary couples exchange. Pedro and Joana turn a blind eye to each other's infidelity. Their daughter, Paula, a jealous teenager, distrusts the father and ends up discovering his case with Pilar. Pedro opts for the family, but without his lover, he becomes a burden at home. Tired of her husband's depression, Joana asks Pilar to return to be Pedro's lover. In the end, everyone's life takes on new paths, but they remain united. Borderless Love is a fun and romantic journey of self-knowledge in the lives of these characters.
O Pastor e o Guerrilheiro is a Brazilian feature film inspired by a true story, which takes place in the 1960s and 1970s and at the turn of the millennium - in the last days of 1999.
This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.
A woman moves back, from São Paulo to her hometown Rio de Janeiro, to support her husband's job. On their new residence, she forms an unlikely bond with her young neighbor based on their past memories, sadness and loneliness.
