Polish Film Institute

Mismatched cousins David and Benji reunite for a tour through Poland to honor their beloved grandmother. The adventure takes a turn when the pair's old tensions resurface against the backdrop of their family history.

Colombian girl, who studies law in France, arrives to Sarajevo in order to write a study about the War Crimes Tribunal. Unexpectedly she finds herself in the center of the intimate tragedy of her new friend, a native woman.

During part verité, part exposé road trip, director Pawel Gula proves there is no honor in killing. The film juxtaposes horrific news footage with insights from the families of victims whose lives have been irreparably altered and the killers who are still debating the consequences of their actions. Broader commentary is given by officials and activists fighting this horrific tradition.

Interviews with students of the post-war Jewish I.L. Perec school in Łódź, Poland, who were mostly scattered around the world after anti-Semitic purges in 1968.

A uniquely constructed portrait of the Polish Colonel Ryszard Kuklinski, who provided the CIA with more than 40,000 strategic documents from the Warsaw Pact during the Cold War. Was he a traitor, or the savior of Poland? The Polish documentary filmmaker Dariusz Jablonski begins his story of the colonel in 2004, when he was supposed to interview him for the very first time. It turns out that Kuklinski has just died, and at the request of the colonel's wheelchair-bound wife, Jablonski agrees to take care of his ashes. He talks with a considerable number of closely involved ex-servicemen -- from the U.S. head of espionage General William E. Odom to the Warsaw Pact Commander-in-Chief Viktor Kulikov, the Polish General Wojciech Jaruzelski, and former Polish President Lech Walesa.

A young woman becomes close with a mechanic who feels responsible for the death of her brother.

The history of the Warsaw Ghetto (1940-43) as seen from both sides of the wall, its legacy and its memory: new light on a tragic era of division, destruction and mass murder thanks to the testimony of survivors and the discovery of a ten-minute film shot by Polish amateur filmmaker Alfons Ziółkowski in 1941.

A young woman, Anna, is getting ready to make her own movie. After a while, she discovers that she is just a heroine in the movie and nothing really depends on her. Rebellious against the author, she writes her own film, recreating the characters from scratch - but neither do her characters want to be heroes in someone else's film. The story of the heroine is intertwined with the story of a critic who "chased" writers all his life to finally find out that his efforts were pointless.

Bartholmus is the mayor of a medieval coastal city. He is not interested in governance, but he is very fond of people applauding him. One day he learns that all mayors from the surrounding towns have bought new clocks for the town hall. Bartholmus only has a small and ugly clock, so he calls the great sculptor Hans and his helper Friday to the city. Together, they create an unusual clock, the beauty of which turns out to be dangerous.

Maciek is no longer a boy, but has not yet become a man. He wants to satisfy the ambitions of his father, and - as everyone in the family - be a butcher. But he is too sensitive to make an animal suffer. The boy directs all his warm feelings towards an old, neglected orchard - the only memory of his mother - and discovers his supernatural abilities.

A large monkey from Bielawa, a roaming puma in Lesser Poland, a snow panther seen in Upper Silesia. Toto, the escaped circus tiger, finds himself in the company of wild animals causing panic as wide as Poland itself.

Wanting to leave their hometown, two friends set off on a military campaign in Afghanistan. When they return, it appears that their hometown is no longer the same.

A man awakes in his apartment but is stopped from leaving by an invisible line.

A young hospital worker meets a patient awaiting abortion procedure. Their childhood stripped away from them too early, the two form a bond which might help them survive.

Basia has already settled down in her life. She is a housewife and has a loving family. It seems as though she does not miss anything to be happy. Until a moment when an opera diva moves into an apartment upstairs. Basia is enchanted and seduced with her voice. A peculiar relationship is born between them. It develops into a feeling which is not particularly comfortable for either of the two women.