When lifelong best friends Leo and Ulrich return home after completing their military training, Leo meets the stunning Felicitas at a railway station and is mesmerized by her beauty. A scandal follows, for which Leo is sent away. Returning home three years later, he discovers that much has changed.
God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.
During America’s Civil War, Union spies steal engineer Johnny Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.
Robert J. Flaherty's South Seas follow-up to Nanook of the North is a Gauguin idyll moved by "pride of beauty... pride of strength."
Taken from The Arabian Nights, the film tells the story of a wicked sorcerer who tricks Prince Achmed into mounting a magical flying horse and sends the rider off on a flight to his death. But the prince foils the magician’s plan, and soars headlong into a series of wondrous adventures.
A man takes a job at an asylum with hopes of freeing his imprisoned wife.
A Soviet woman is caught between her husband and son, who find themselves on opposing sides of the Russian Revolution.
A pair of sisters leave the country for the city after their parents are slaughtered in a mysterious axe murder.
A meek millionaire masquerades as a boxing star to win a girl's heart.
Ahmed, son of Diana and Sheik Ahmed Ben Hassan, falls in love with Yasmin, a dancing girl who fronts her father's gang of mountebanks. She and Ahmed meet secretly until one night when her father and the gang capture the son of the sheik, torture him, and hold him for ransom.
A young man shows his millionaire grandfather a film based on Molière's play "Tartuffe" in order to expose the old man's hypocritical governess who covets the young man's inheritance.
When Prince Danilo falls in love with American dancer Sally O'Hara, his uncle, King Nikita I of Monteblanco, forbids him to marry her because Sally is a commoner. Thinking she has been jilted by her prince, Sally marries wealthy Baron Sadoja. When the elderly man dies suddenly, Sally must be wooed all over again by Danilo.
Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. The film features sculptures by Pablo Picasso, and some of Man Ray's mathematical objects both still and animated using a stop motion technique.
A young girl and her father are kicked out of their house by a cruel noblewoman, and the girl's heart is broken when her sweetheart, the noblewoman's son, won't go to Paris with them. After becoming an opera star in Paris, the girl returns to her homeland and finds her romance with the nobleman rekindled.
Mr. Barry has a huge argument with his wife, and to make her jealous, he asks his valet to set him up with a pretty girl who is stranded in their neighborhood. He takes her out to dinner, but to his disgust he discovers that she lacks even one ounce of class and her table manners are frightening. Soon enough, Barrymore is reunited with his wife.
Three outlaws come to the aid of a young girl after her father is killed.
A nobleman vows to avenge the death of his father by the hands of pirates. To this end, he infiltrates the pirate band; Acting in character, he single-handedly captures a merchant vessel, but things are complicated when he finds that there is a beautiful young woman of royal blood aboard.
A masked criminal who dresses like a giant bat terrorizes the guests at an old house rented by a mystery writer.
Count Moffat becomes infatuated with Nana, a presumptuous stage actress, vulgar, hypocritical and promiscuous, willing to do anything to succeed.
Carmine Gallone and Amleto Palermi’s The Last Days of Pompeii 1926 stages in sumptuous colour tinting the epic fall of the ancient city buried by Mount Vesuvius’ eruption. Adapted from Edward Bulwer-Lytton’s love story, the film was innovative in its special effects and an early major box-office hit. A beautiful tinted restoration print was prepared using photochemical processes by Centro Sperimentale di Cinematografia-Cineteca Nazionale in the mid-1990s and the premiere screening of the restoration print was held in the amphitheatre in Pompeii, followed by a screening at the major restoration festival ‘Il Cinema Ritrovato’ in Bologna in 1998.
