Fundación Patrimonio Fílmico Colombiano

In the Colombian-Venezuelan Andes, a peasant works the land under exploitative conditions to ensure the survival of his family. His son is ill, his wife is pregnant, and he himself reproduces the violence that surrounds him. With no money for medical treatment, one night he gets drunk and is arrested. In jail, in a burst of fury, he rebels against the town's political boss in the only way he can. La Paga was a pioneering work of social and political cinema in Latin America, released the same year as Barravento, Glauber Rocha’s debut feature, and anticipating movements such as Third Cinema. Influenced by Italian Neorealism and Soviet cinema in its aesthetics, forms, and ideological approach, the film uses the archetypal representation of characters and the social and economic forces they embody. Based on the director’s childhood observations in his hometown, La Paga denounces the exploitation of the rural peasantry.

Tells the story of the famous Millonarios, one of the most awarded football teams in Colombia, which, as it was stated by the press, rivals and football leagues, between 1949 and 1953, it was the best team in the world. The documentary film, which some might say, one of the most important sports film pieces in Colombia, involves the stories of fans, members, ex-players, managers, chairmen and great journalists from the world of football, telling how this team revolutionized and changed the history of Colombian football forever.