VCA School of Film and Television

Amira, an avid gardener living in a company town controlled by the powerful EdenCorp, is shattered by the sudden and mysterious death of her husband. EdenCorp’s Acquisition Manager, Alex, arrives at her front doorstep demanding that she vacate her cherished home, accompanied by unassuming employee, Jordan, hinting at foul play by the company. Pushed to her breaking point, Amira is determined not to lose the one place that still holds the memory of her husband, and she hatches a meticulous plan for revenge.

Film student Patrick Atallah has a problem on his hands: his graduation documentary was cancelled at the last moment, so he has just one day in a studio to make an entire, fully realised film. What’s the film going to be about now? He doesn’t know, but he’s hoping to find it along the way. To do this, he invites five of his closest friends to the studio to help him come up with some interesting ideas.

Adam Elliot's earliest film, Human Behavioral Case Studies, is a drawn animation rather than claymation like his other films. It's about unusual human behaviors or obsessions. At only a minute long, it's just long enough to be memorably, darkly amusing.

Sally leads ‘Woodend Community Bags’ - a group of unlikely activists fighting against single-use plastics by sewing reusable bags. Faced with a global pandemic, how will the group confront the new challenges that brings with it?

Pitch Black takes us inside the claustrophobic worlds of three young men immersed in the online black-pill subculture, as they struggle to reckon with their actions.

Emerson Hayes is a 60-year-old sculptor who lives in a caravan and works from an old shed in the back corner of her daughter’s coastal egg farm. When she is informed that her most acclaimed and last remaining work on public display is being replaced, she seeks a new home for it with family friend Lena, who curates a prestigious contemporary gallery. Lena, however, demands that Em present a fresh new work if she is to be considered for exhibition. As Em struggles to break out of her artistic rut, she is forced to reckon not only with her place in the art world, but with her entire identity.

Frankie and Charlie have moved to a tiny house. They regret it. It’s Christmas Eve. Frankie is miserable. Charlie’s organised a festive family lunch. Then Charlie finds a disoriented cockatiel by the river. She tucks him into a box and brings him inside. Little do they know – this bird has its own agenda. Nobody seems to notice something strange has started falling from the sky.

The once celebrated graphic designer Paul Andrews has fallen from grace. Battling against the demands of vacuous clients, deprived of his voice, he descends into an obsessive and distorted search for creative expression.

A girl stands on a lonely road looking into the distance and into her future.

All Andrew wants is a change of scenery, but his grimy new St Kilda apartment has other ideas.

When Jade’s oldest and dearest friend begins to prioritise the needs of someone new at their weekly social netball game, her deepest fear of losing the friendship begins to consume her. While the teams wait for the harsh winter rain to ease so they can resume their game, Jade aggressively attempts to win back her status during a seemingly friendly, low-stakes card game.

Follows Yo, Siyuan and Mia, three young women who, using the mobile application Replika, have formed romantic relationships with virtual partners. This short documentary captures the richness of these bonds, from philosophical questions to intimate moments to the real sense of security and companionship afforded by these artificially intelligent lovers.

Arguably Russia’s most famous folk song, Dark Eyes has captured hearts around the world for the past 100 years. This portrait explores the song’s somewhat controversial history, its musical versatility and its cultural relevance. Performances by Louis Armstrong, Frank Sinatra, Liberace, a 13-piece orchestra and a Russian folk group make it clear why Dark Eyes has stood the test of time.

Two strangers meet whilst both working a shift at a dodgy restaurant in Melbourne's CBD.

A man trying to propose to his girlfriend is blindsided by the telepathic accusations of a childhood teddy bear.

In a not-so-distant future, scientists have discovered immortality. What follows is a surreal exploration of the sometimes banal, sometimes chaotic consequences, begging the question: is there meaning in infinity?

Arriving on a cruise ship as though pulled by an invisible string, senior citizen Donald discovers an apparent murder scene. While searching for answers, he finds a second body, and an emergency is declared. When it becomes clear that the murderer is not of flesh and blood, that Donald is next in line to be killed and that the ship’s captain is a ferryman carrying his passengers to the afterlife, he and the other elderly tourists decide to make a break for it.

Martin was born with just 2,000 words to use in his lifetime, and once he's spoken them all, he will fall irreversibly silent. Fearful of a voiceless future, Martin decides to save his words for the perfect moment. But in being so cautious, he risks not being heard at all.

After eight seasons of poor off-screen behaviour, sitcom character Martin Dreggs has been killed off. Will the actor who plays him get a second chance at fame when the show broadcasts live? Drawing from sitcom inspirations absorbed throughout an entire childhood, writer/director Samuel Bortolazzo stages a complex family dilemma within the vessel of a television sitcom.

Inside a den fortified to keep people out, Josh finds himself trapped with four unstable drug dealers and a possessed bag of meth. An ancient evil with a proclivity for gratuitous acts of violence makes its way through the whacked-out inhabitants, one by one. As eyeballs are pulled out and throats are slit around him, Josh realises that, to survive, he must claw, cut and burn his way out.