Ključna riječ Colonisation

Godine 1755. siromašni kapetan Ludvig Kahlen kreće u osvajanje surove, nenastanjive danske vrištine s naizgled nemogućim ciljem: izgraditi koloniju u ime kralja. U zamjenu dobit će kraljevsko ime za kojim očajnički žudi. No, samostalni vladar tog područja, nemilosrdni Frederik de Schinkel, arogantno vjeruje da ta zemlja pripada njemu. Kada de Schinkel sazna da su služavka Ann Barbara te njezin suprug pobjegli s Kahlenom, privilegirani i osvetoljubivi vladar zaklinje se na osvetu čineći sve što je u njegovoj moći da izgna kapetana. No, Kahlena je teško zastrašiti te se on upušta u neravnopravnu borbu riskirajući pritom ne samo svoj život, već i život obitelji izopćenika koji se oko njega okupila.

Dolazak engleskih kolonista u novi svijet donosi sukob s domorodačkim plemenom Powhatan. Mlada i slobodoumna Pocahontas, kći poglavice Powhatana, susreće se s kapetanom Johnom Smithom, a njihova neočekivana veza budi osjećaje ljubavi i razumijevanja. No, tenzije između dviju kultura rastu, a predrasude i pohlepa prijete eskalacijom sukoba. Pocahontas se nalazi rastrgana između odanosti svom narodu i ljubavi prema strancu. Hoće li uspjeti pronaći način da pomiri dva svijeta prije nego što bude prekasno?

Film nam prikazuje pedeset godina američkog naseljavanja zapada kroz oči nekoliko generacija obitelji Prescott i Rawlings. Pogledajte migraciju kroz Erie kanal, putovanja preko prerija tijekom Kalifornijske zlatne groznice, užase i patnje civilnog rata i konačno, gradnju željeznica i dolazak pravde i zakona u divljinu. Tijekom ovih putovanja obitelji se susreću za iskusnim lovcima, okrutnim banditima i indijanskim plemenima.

U srcu južnoameričke džungle, isusovački misionari suočavaju se s okrutnom stvarnošću kolonijalne moći. Njihov pokušaj da zaštite domorodačko pleme Guarani od ropstva sukobljava se s interesima španjolskih i portugalskih kolonista. Bivši plaćenik, sada svećenik, i karizmatični vođa misije, moraju birati između nasilja i nenasilja, vjere i pragmatizma. Dok se sile zla okupljaju, njihova misija postaje borba za opstanak, ne samo plemena, već i vlastite duše. Gdje leži prava misija čovjeka?

A hundred years after Europeans set foot in the New World, Brazil still remains largely unexplored. The Conquest recounts the saga of the earliest adventurers who wandered through these unknown lands. Jesuit priests, adventurers seeking gold, slaves and indigenous tribes were entangled in unceasing battles, at a time when laws were made by the sharp edge of a sword.

The Martian Chronicles deals with the exploration of Mars and the inhabitants there.

Hybrid docuseries offering an expansive exploration of the exploitative and genocidal aspects of European colonialism, from America to Africa, and its impact on society today.

Guy Moeyaert is a well-meaning colonial official in a jungle district of the Belgian Congo in the last years of white colonial rule, after the Second World War, a paternalistic system where the state, unable to be properly present all over the vast, sparsely populated country, collaborates systematically with the Roman Catholic missions -in his post, father Alexis- and private enterprise, in case mainly the mining company -locally represented by engineer Lenaers- which also helps out with money and labor for such public tasks as road building. Even his grip on the natives is weak, as they live under hereditary tribal leaders, which must take from its people what they are legally obliged to deliver to the state in taxes and labor; coercion is done by force, including whipping on the bare buttocks, which Guy hates. Guy also starts a love affair with Hélène Vermarcke, who gets estranged from her husband Luk (the three were already friends in Belgium) as he devotes all his efforts the their plantation, leaving her alone with the native staff and their son, or is it Guy's? The adultery makes his position in the white community far weaker then is compatible with his position of theoretical authority without sufficient independent means. He also depends heavily on his educated black clerk Gabriel Ndazaru and ambitious white deputy Arthur. It all gets worse for everybody as the call for 'dipenda', black independence as in Ghana, gets stronger, in time even accepted 'in principle' by the Belgian government which plans a gradual transition which the idealist Guy supports but all other whites oppose, while the natives have neither patience nor insight and start attacking every symbol of the old regime, regardless of its objective value, and soon white people and 'collaborators' too- it gets physically dangerous, but Guy won't budge or flee...