Budapest Filmstúdió

In 1944 Budapest, one of a group of four friends poses a hypothetical moral question to the others, an act that will unexpectedly alter their lives forever.

In the dense and murky woodlands of provincial Hungary, the search for a child murderer drags a once-respected detective into an all-consuming obsession enshrouded by irresolution and despair, even long after he has been taken off the case. What emerges is not a crime story, but a harrowing venture through the darkness of the human soul.

A divorced young math teacher is tormented by her high school students.

A story of a mother who had to change her profession from a teacher to a high class prostitute to make a living.

This film, set at the beginning of the 17th century, is the first East-European "Eastern". Bocskai István orders the free Heyducks to shepherd a huge herd of cattle through the country torn to three parts, to the Dalmatian coast, where he can get weapons in exchange, for fighting the Austrians.

The film director starts shooting his film about the manager of a large corporation who committed suicide for mysterious reasons. As the cumbersome process of making a film goes along, everybody involved in it starts having differing opinions of the tragedy, its causes and its victim.

Turn-of-the-century Hungary. Two young brothers, neglected by their cold and uncaring mother, descend deeper and deeper into psychosis, with tragic consequences.

Áron is a happy child in his family. But at some point things take a different turn, and his mother starts to lose her health rapidly. As this happens, the man in charge decides what's best for Áron without consulting the young boy's opinion, and the boy finds himself thrown out of his warm home into an orphanage in the woods. He's utterly displeased by what's happening, without knowing he has yet to face much worse...

This story follows a young student, who is orphaned as she grows to adulthood in the shadow of the 1956 Hungarian uprising. Coming from the Communist intelligentsia, she sees her friends and family react differently. Her lover, a married factory manager, supports the patriots and later assists fellow workers in staging a strike. Meanwhile her sister and others express anger at being forced from their homes during the revolution and continue to express a hatred for the rebels afterwards. But in the end they realize that for all people, real life is not possible after the revolt and its brutal suppression by the Soviets and their collaborators.

Blondie and Árpi love each other very much. She is a hairdresser, he is a confectioner. Blondie's parents are divorced and she lives with her grandmother. Árpi loves her parents, but has long been angry with her brother-in-law, whom she knows to be keeping a mistress. Pista turns the parents against Árpi, and after a quarrel, the boy decides to leave home. Then he has an even better idea: marry Blondie. She is just as much of a hebrensch, so she insists on marriage. It's summer, and the Árpi's move to their summer cottage on the top of the hill. But they are unprepared for independence, and so they have a series of conflicts. They quarrel badly, and Blondie moves back home. To Arpi's surprise, her father persuades her to make up with him. Blondie sulks at first, but her lover overcomes her resentment. They try again, together.

On one hot summer night, the residents of a Hungarian apartment house slated for demolition restlessly revisit their haunted pasts as they face an uncertain future. In a gently turning kaleidoscope of dream imagery, regret-laden nostalgia and painstakingly intimate detail, the looming wrecking ball pales in significance to the accumulated experiences each dreamer revisits. Pre-war prejudice, occupying Nazis and Stalinist deprivations all come and go as each tenant’s backward glance yields moments of aching sensuality, infectious exuberance and catastrophic loss.

Two arts students, András and Viktor who are writing their thesis on detective stories, make up a story and keep nagging the famous film-director, who just came back from Hollywood, until he undertakes the job. At night they work on the film, in which two youths kill a director returning from the US. In the morning the director is found dead - a knife in his back.

The opera-film, as opposed to Gluck's Vienna version, is a recollection of the ancient tragic Greek myth. Orpheus, who is able to defeat Hades with the power of art, is unable to conquer his own human defects. Amor is sympathetic to Orpheus' sufferings as he mourns his dead beloved, and lets him know the message sent by the Gods, namely that he may take her home from the underworld if he is capable of not looking at her.

Andras (Zygmunt Malanowicz), an older man employed as a furniture designer, gets a life-jarring shock when he returns from a trip and finds that some of the work he developed has been given over to a younger employee. This instigates a mid-life crisis over his own identity and his sense of security and self-worth, all exacerbated by a recent divorce and estrangement from his son. Recognizing that he needs help, the man goes for therapy and starts to face his problems. Therapy counteracts some of the damage of living, and the man starts to consider his son, his relationships with women, and his father in a different light.

An unsentimental Hungarian film about the edgy relationship between a middle-aged woman and her young, restless daughter-in-law when the son-husband goes to sea for six months.

He travels the country as a fire inspector. He arrives in the small town for a week-long visit, where he meets his old friend József Máté. Máté is a manager, proud of his achievements and spoiling his beautiful young wife Panni. But she's tired of the dollhouse and wants to work, but her husband won't let her. Tired and disillusioned, Palotas immediately senses and understands his wife's dullness and boredom, and encourages Panni to leave her husband...

A Budapest high school in the beginning of the 1960s. Dini suffers the torments of adolescence. His father had to leave Hungary after the uprise in 1956, and since then Dini's mother has had to take care of her two sons on her own. A friend of Dini’s father, Bodor, is released from prison and moves in with them. Dini and his brother are far from happy about this intrusion on their family life.

The scene of the story taking place in the 18th century is an inn, which is advertised by its owners for sale. The inn was namely the scene for mysterious disappearances and murders, but the result of all these events, the treasury is hidden and guarded by the mother. Everybody want to get it from her during one night: the inn-keeper couple, the fake couple who arrived as buyers, Colonel Majorossy with his son, the secret agent and the servants.

Iván Berend is a nobleman from the countryside, owner of considerable wealth. If necessary, he duels and plays cards like his fellow gentry, if necessary, he dances and compliments like most cavaliers. But far from him is this high life. He prefers to lecture on natural history, and does not hesitate to prove his claims by burning a diamond. He runs the Bondavar mine and experiments on a fire extinguishing agent. Evila, the beautiful starlet, and her impetuous fiancé, Peter Szaffrán, work in the mine. They are hired by the Viennese banker Félix Kaulmann to help him with his grand plan for the coal basin, which will ruin Ivan Berend.

A young doctor undergoes a spiritual crisis when he returns to his rural home.