Prointel

Tomás, a birdwatcher and photographer, tries to give his career a push by taking an impossible photograph: an albino bird never seen outside captivity. To this end, he drags his wife and daughter to the Amazonian forest.

El Transplante focuses on the story of "a mature couple" who "sees the need to renew their bodies to avoid being fired from their jobs", but who only have enough money for one of them. That limiting circumstance will force them to make decisions.

Between astonishment and despair, Baldo, a courier, sees how, slowly and inexorably, he sinks into the asphalt.

Year 2045. In an attempt to save his relationship with Eva, Dani acquires a double to cover his absence when she needs him.

Elena and her lover Javier set in motion a plan to assassinate her husband Alberto, a successful businessman.

Tono is continuously harassed by her mother, who is uncannily cruel and authoritarian. His obsession with a woman's voice recorded on cassette and his favorite doll will help him fight out of his mother's control.

The nightmare tells how in 1880 in a village in mountainous Galicia a series of mysterious deaths devastate the region. All the victims are young women, and murdered under mysterious circumstances. And the townspeople begin to suspect that the person responsible is Naim, a strange neighbor who lives apart, never leaving during the day. But Lúa, a young woman from the village who sees through her prejudices, will do everything possible to protect her most hidden secrets.

El Televisor narrates how Marcos, the only neighbor without an alarm, finally ends up installing a protection system in his chalet. Far from feeling safer, he soon becomes obsessed with the idea that someone is stalking him, and he connects the signal from the surveillance cameras to the TV in the living room. Progressively, the images of the closed circuit supplant the programs and the movies, until becoming the only thing that is reproduced on the screen. His wife and his children helplessly witness the man's madness... but maybe "something" out there is really threatening the family. Something visible only between the pixels of the TV.

Madrid, Spain, 1982. TV director Chicho Ibáñez Serrador asks André, a lousy actor playing a ventriloquist, to work with Charlie, a disturbing dummy.

In a near and dystopian future, for reasons unknown, it is impossible to go outside. A couple is forced to live with an unknown family while the world beyond the windows of their house seems to disintegrate forever. But the biggest threat of all might be inside, in the exact center of the dining room table. Or at the bottom of the nightstand drawer. Or in the past.