| Npe | Recorder: The Marion Stokes Project |
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| Xyoo | 2019 |
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| Genre | Documentary |
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| Ncig Teb Chaws | United States of America |
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| Studio | End Cue, Electric Chinoland, C41 |
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| Pov Pob Tseg | Michael Metelits, Marion Stokes |
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| Crew | Matt Wolf (Director), Keiko Deguchi (Editor), Chris Dapkins (Director of Photography), Matt Mitchell (Director of Photography), Jesika Farkas (Production Design), Jaf Farkas (Art Direction) |
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| Cov ntsiab lus | media, 1970s, socialism, collector, biography, vhs, archive footage, tape recording , 9/11, mass media, video recorder, communism, videotape, iran hostage crisis, 1980s, activist, 1990s, compulsive hoarding, media criticism, media power, film archives, 2000s, local television, reclusive, 2010s, compulsive collector, lost media, documentary, digital archiving, television, vhs tapes, sandy hook, home archive, archivist, archiving |
|---|
| Tso Tawm | Apr 25, 2019 |
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| Sijhawm Sawv | 87 feeb |
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| Zoo | HD |
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| IMDb | 6.70 / 10 los ntawm 9 cov neeg siv |
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| Cov Nrov | 1 |
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| Pob nyiaj siv | 0 |
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| Nyiaj tau los | 0 |
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| Lus | English |
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