Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.
Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.
Only three days before their high school festival, guitarist Kei, drummer Kyoko, and bassist Nozomi are forced to recruit a new lead vocalist for their band. They choose Korean exchange student Son, though her comprehension of Japanese is a bit rough! It's a race against time as the group struggles to learn three tunes for the festival's rock concert—including a classic '80s punk-pop song by the Japanese group The Blue Hearts called "Linda Linda".
Four independent stories set in modern China about random acts of violence.
It’s 1940, and the population of Japan is divided over its entry into World War II. Satoko, the wife of a fabric merchant, is devoted to her husband but is beginning to suspect he’s up to something. Soon she allows herself to be drawn into a game in which she enigmatically conceals her intentions.
Kanao, a courtroom portrait artist, observes crimes, scandals and the decline of Japanese values without passing judgement. As he and his wife endure the tragedy of their first child’s death, hope slowly unfolds and their love story flickers to life once again.
An old couple, their only son, the son's wife, a young man and his lover live peacefully in a village. Then, a terrifying earthquake strikes that causes a nearby nuclear station to explode. The residents must evacuate, but the family lives on a farm, with only half of the area designated as an evacuation area.
Years after her boyfriend left her for the big city and promised to bring her there after he’s settled down, a Chinese woman sets out on a journey to be reunited with him.
Kageko, a teacher in a small mountain village with a thriving Japanese paper industry, is visited by a former student, who proposes a plan to manufacture counterfeit money. She initially refuses, but eventually decides to join the project for the sake of the poor children in the village and her own mentally handicapped child.
Director Yoshiyuki Kishi and screenwriter Takehito Minato—the team behind acclaimed boxing epic Wilderness—reunite to adapt Ryo Asai's prize-winning novel. A sensitive drama about the aberrant in a society without regard for diversity, the story unites characters trying to hide abnormalities: a prosecutor who is worried that his pubescent son is a shut-in, an introverted saleswoman with a peculiar habit, and a student tortured by feelings she can’t express. In a world fill with abnormalities, what if it’s actually normal to be abnormal?
The film begins in the present, with its heroine, Kaoru, a grown-up woman working as a real-estate agent, while helping out the folksy proprietor of a neighborhood fishing pond. There she meets a shy girl who needs her help baiting a hook and reminds her of herself in the fourth grade.
Asako lives in Osaka. She falls in love with Baku, a free-spirit. One day, Baku suddenly disappears. Two years later, Asako now lives in Tokyo and meets Ryohei. He looks just like Baku, but has a completely different personality.
On the set of a dark war time drama at an old movie studio, a young director, Toshio Murai, is trying to complete his debut film. The two starring actresses, Hitomi Kurokawa and Saori Murakami, play sisters in his film. Murai has a crush on Hitomi, the seasoned leading actress, and keeps a photo of her by his bed. The younger and less experienced actress, Saori, is annoying and likes to have recess on the set. The production of the movie is consistently interrupted by strange occurrences and the cast and crew begin to get spooked.
Takashi, an unemployed young man, is entrusted with a "catch ball shop" by a stranger he meets in the park. While accepting people's feelings through catch ball, Takashi himself remembers the important things that he had forgotten.
Three sisters share a connection to a violent incident from their childhood reunite to for the chance to come to terms with their past.
Up-and-coming manzai stand-up comedy duo Emi-Abi has lost consummate funny man Unno (a surprisingly touching Tomoya Maeno) to an accident, leaving conceited straight man Jitsudo (Ryu Morioka) to contend with his diminished career prospects as a bland, pretty face entertainer. Guided by his manager Natsumi (Haru Kuroki), who demonstrates stronger comedy chops than her own star, Jitsudo comes to learn the circumstances of his friend's passing, as well as the life-and-death stakes of a career in comedy. Demonstrating a careful balance of tone across tragedy and deadpan and gross-out humor, writer/director Kensaku Watanabe expands "Emi-Abi"'s hilarious premise into a strikingly assured meditation on artistic rivalry and self-actualization.
Haruo returns to his hometown for his mother’s second marriage, where he happens to meet his first love Miyuki for the first time in eight years. Miyuki is back in town with her daughter Chiharu, after leaving a failed marriage.
As a decades-old state-run aeronautics munitions factory in downtown Chengdu, China is being torn down for the construction of the titular luxury apartment complex, director Jia Zhangke interviews various people affiliated with it about their experiences.
Kotera (Haruka Kudo) is a high school student. She belongs to the school's climbing club and is enthusiastic with bouldering. She is polite and has a tender personality. Meanwhile, Kondo (Kentaro Ito) is a member of ping pong club at the same school and is attracted to Kotera.
Shinnosuke and Misawa are joint managers of a Bonsai shop. Suddenly Shinnosuke's childhood friend Haruko turns up. She has split up with her boyfriend and finds herself out on the streets. Shinnosuke starts to like her and really wants to cheer her up, but he can't manage to express his real feelings or stop picking up other women. Misawa is dumbfounded by Shinnosuke's behavior but also has complex feelings of love for his friend.
