Malay Film Productions Ltd.

The first of the four 'Bujang Lapok' ('Worn Out Bachelor') movies. This first one chronicles the loves and lives of three bachelors living in 1950s Singapore.

Tiga Abdul (The Three Abduls) is a 1964 Malaysian comedy film directed by and starring P. Ramlee. It tells the story of three brothers who are caught in a web of trickery set by the cunning Sadiq Segaraga who uses his three daughters to fleece the three brothers of all their wealth. The movie is a tribute to traditional folktales with a moral set into the story and is set a fictional middle eastern country named Isketambola, which is loosely based on Istanbul, Turkey.

Jamil, already married decided to get a second wife, Hasnah, without Latifah's permission. Latifah came to know about it went to his wedding ceremony and created a big chaos. Jamil ran away and stayed low key for few days in a hotel thinking of his next move. Just when everything was calm and smooth, Jamil met Rohani and it was love at first sight. Jamil decided to get married... again. Will love prevail?

Jobless and penniless, the happy-go-crazy trio Ramli, Aziz, and Sudin decide to try their luck as movie stars while navigating the daily challenges of living in a crowded boarding house. The studio manager promises them a break if they can prove their talent in a screen test, but their naivety and inexperience lead to hilarious results. With their ongoing antics, will fame in showbiz change them in any way? The fourth installment of the 'Bujang Lapok' series. This film chronicles the misadventures of the three bachelors as they embark on their quest for stardom. Along the way, they also contend with their eccentric neighbors and Ramli’s budding romance with one of them.

The film's story revolves around the tragic love affair between Kassim Selamat, a poor musician, and Sabariah, the only daughter of a wealthy woman. The movie is notable in that the opening act starts out as a light-hearted romantic comedy, but at the 30 minute mark turns into a dramatic tragedy. Like a number of P. Ramlee's works, the film criticizes the unofficial caste system that separates the wealthy from the poor.

The story tells us about a young prince called Suria Kencana who was cursed and turned into a cobra by his step mother. As a result, he became snake by day and human by night. The magic spell can only be broken by a necklace, Panca Delima, that is worn by a kind hearted girl called Teratai. Teratai has two other evil and greedy sisters. One of them got herself killed when she was too greedy in plucking the gold leaf from the magic tree. The other was envious when Suria Kencana fell for Teratai. She stole the magic necklace and allied herself with Suria's step mother, hoping to get a big reward from her. Did Teratai and Suria managed to break the curse?

A legendary folklore film. Religious leader Tun Jana Khatib and his 2 followers come to Singapore from Pasai to trade. However, due to the rivalry between the Temenggong and the King’s aide, Tun Jana Khatib is slandered. He's sentenced to death and the King’s aide sentenced to life imprisonment. One night, several fishermen are attacked and killed by swordfish. At the coast of Singapore, with his courtiers, the King is also attacked. The Temenggong orders that villagers be used as human shields against the attack. The young son of the King's aide, Hang Nadim, suggests that banana tree trunks be used instead. It works and in return, the King agrees to release his father. However, the sly Temenggong instigates the King against Hang Nadim and his father.

Three friends want to become warriors. Ramli, Aziz, and Sudin seek to learn Silat from an expert, Pendekar Mustar. Mustar's daughter, Ros, the village teacher, initially thinks they are crooks but soon realizes she is wrong and even falls for Ramli. The second installment of the 'Bujang Lapok' series. This film chronicles the misadventures of the three bachelors as they learn self-defense. Along the way, they discover their shared attraction to their teacher's daughter and their illiteracy.

Haji Bakhil, a miser, have two servants, Labu - the cook, and Labi - the driver. The two of them have secret admiration for Haji Bakhil's beautiful daughter, Manisah. After a hard day's work, Labu and Labi started talking about their girlfriend not knowing that they both admire the same women. During bedtime, they lamented to each other about their life being poor and wondered what would happen if they were rich and famous. Labu pretended that he was a doctor and Labi a magistrate judge

A son leaves his widowed poor mother to make a fortune and promises to return for her. He rises up the ranks and even marries royalty but his promise is soon forgotten. When he returns to his homeland, he refuses to acknowledge her and his callous ways leads to tragedy.

Raja Bersiong, the Fanged King, is a cannibal monarch in the Kedah epic literature Hikayat Merong Mahawangsa (HMM). A king with an intense appetite for human blood that over time he grew fangs and began attacking his own people to feast on them.

Workers at an Eveready battery factory are disgruntled because their wages are low compared to a neighbouring factory. The factory manager exploits the workers’ rising discontent by colluding with a traitor within the workers’ ranks to instigate a strike in the factory, part of a devious ploy to take over the factory from the benevolent but incapacitated factory owner/boss. The colluders create dismal working conditions and make use of every opportunity and incident to raise the call for a strike, to sour industrial relations in a bid to close the factory down so that they can coerce the boss to hand over ownership.

Bidasari film tells the story of a girl who lives shared with a fish that has a pretty face and a stunning stained-glass voice. Bidasari is a hatred by the Queen after she found that Bidasari is the most beautiful woman in the kingdom when she once saw in the magic mirror.

Ghazali, a local musician, and his friends came to the rescue of Tengku Zaleha when her car got stuck in the mud during a downpour.. She requested to take up piano lesson from Ghazali, knowing this would give her a chance to meet him everyday. Their relationship became closer but was quickly separated when Tengku Zaleha's father and brother found out. Ghazali was beaten by several men till he fainted. In the meantime, Tengku Zaleha was brought back to Singapore and forced to marry Tengku Mukri. Few years later, she went back to Anggerik Villa and Ghazali just couldn't believe his eyes when he saw her as he thought she was dead. Tengku Zaleha was torn between two worlds but later decided to end her marriage. When Tengku Mukri realized what was going on, he couldn't accept the fact as his wife had left him, a man of status and wealth, for a commoner like Ghazali.

Hassan (P. Ramlee) is 10 when his father died. His mother had died when he was younger. His late father's boss feels sorry for Hassan and adopts him. However, Hassan's foster father's own child, Aziz (Jins Shamsudin) is jealous of Hassan and hates him. When both of them have fully grown up, Aziz and Buang (Salleh Kamil) always bully Hassan. At the same time, Salmah (Saadiah) has developed a crush towards Hassan, fuelling Aziz's fury. When the Second World War is approaching, the Royal Malay Regiment begins recruiting young soldiers.

Omar Rojik’s ‘Batu Durhaka’ tells the story of Wira and his ultimate fate of committing disloyalty and sin towards his mother and family. His nemesis is Perkasa, a vicious and lustful tyrant in the village community who has kidnapped his younger sister Indah. The kidnap was witnessed by Wira’s handicapped brother Mala, who could do nothing other than watch and be rapped by Perkasa’s followers. When Wira confronts Perkasa, he is defeated and put away on a boat to nowhere. After drifting afloat for a long distance, he is rescued by Mahaguru Bentara who brings him to a cave to recuperate. Under the tutelage of the Mahaguru, who is a martial arts exponent, Wira becomes one of his leading disciples and falls in love with his daughter Desawati. He betrays Desawati's love and their consummation when he decides to return to his village, to seek vengeance against Perkasa.

Siapa besar film is a Malay film which was published in Malaysia in 1964. Film Who are issued in the form of the film in black and white without shades. This comedy film directed by Omar Rojik and published by Malay Film Productions Ltd.

Based on a bangsawan story by stage veteran M. Babjan, ‘Mas Merah’ concerns the titular character who is daughter to a family with two feuding wives. Her mother is Mak Merah, who shares a husband (Pak Sagai) with Mak Gelam. Unfortunately, the pair of mothers are not on good terms with each other, often resorting to verbal abuse and catfights to settle their differences. The animosity and resentment get so far as to incite Mak Gelam to injure and kill Mak Merah. After her mother’s death and accusations of impropriety against her, Mas Merah is forced to leave her family and kampong to seek refuge in the wilderness. There, she meets Awang Sulong, a prince who is born and raised in the forest as a consequence of the king’s blind belief in the slander of his mother Puteri Mayang Mengurai. Together, they seek to do good and reverse the atmosphere of lies and betrayals clouding the kampong and the royal court.

Amran (Aziz Jaafar) is a fugitive on the run after being implicated in the activities of a crime syndicate. He is wanted for an alleged murder he did not commit and goes into hiding with the help of Pak Busoh (Haji Mahadi). However, gang members of the syndicate turn up at his place of hiding and he makes a run again to seek help from his sultry club singer friend Noridah (Sarimah). Just when Amran finds it harder to escape the syndicate’s trap, Major Anwar (Ahmad Mahmud) of the police comes to his rescue.

After meeting a fairy princess by a grand coincidence, the lives of two men have changed drastically. The hero has regained his youth while Toba has aged tremendously.