A quiet young English girl named Alice finds herself in an alternate version of her own reality after chasing a white rabbit. She becomes surrounded by living inanimate objects and stuffed dead animals, and must find a way out of this nightmare — no matter how twisted or odd that way must be. A memorably bizarre screen version of Lewis Carroll’s novel ‘Alice’s Adventures in Wonderland’.
In a village in eastern Turkey, tales of the economic success of Turks in Switzerland inspire Haydar to convince his wife Meryem that they must go. He sells their livestock and small plot of land in exchange for passage for two. He wants to leave their seven children in the care of the eldest and his parents; his father advises him to take one son to be educated in Europe, as economic insurance. The three set off for Istanbul, Milan, and Switzerland, stowing away on a ship. At Lake Como, they pay the rest of their money to unprincipled men who abandon them at an Alpine pass before a blizzard. Father and son are separated from Meryem. Will anyone reach the land of promise?
After their car breaks down in the French countryside, a young couple must fend off a Nazi mutant and his gypsy mother, a mummy, and a possessed horse.
An expert magician is hired to entertain world leaders at a peace summit. Unfortunately, he finds himself hopelessly entangled in an elaborate terrorist assassination plot.
“Let us assume that Switzerland is truly a paradise. The music hereto was written long ago. We have merely forgotten it.” (Daniel Schmid) This is the material from which the most Swiss of all operas is made: the legendary Wilhelm Tell – a Swiss hero: straightforward, a primus inter pares of the indomitable freedom fighters, a good shot, surefire. A myth that becomes a poetic playground: nature in turmoil, the struggle for freedom and forbidden love. A legendary overture at a gallop with an iconic post horn motif – all this and much more in the thirty-seventh and last opera by Rossini.
Michel and Paul earn money from passers-by by doing chalk drawings outside the Louvre. They also make the scene at the hot spots of Paris. Sand is a wealthy and luscious blonde artist who paints nude girls and houses at her loft. When Michel's gorgeous sister shows up from out of town, both Paul and Sand fall for her.
It is carnival time in Munich and participants are overindulging in alcohol and sensual pleasures. "Follow us into madness" beckons Lys who is drunk on life, but the sensitive Henry does not follow him. Lys has betrayed his fiancé, as Henry once betrayed his lost love Anna. In memory of Anna and his cruel Dickensian childhood, Henry challenges Lys to a duel to try to appease his guilt.
Can a single building impact the career of an architect, the image of a global company and even the skyline of a big city? Just a month and a day after the disastrous attack on the World Trade Center in New York, the first steel beam of a new tower is erected in London. One question is on everybody’s mind: is it the right decision to build a new iconic tower in the midst of London’s financial district, on a site that has already been bombed before? The 40-storey steel and glass tower sparks further controversy. Norman Foster, one of Britain’s most visionary architects, calls his design for the new Swiss Re London headquarters ‘radial – socially, technically, architecturally and spatially’. In fact, its size and shape are so radical that it is almost immediately nicknamed ‘the erotic gherkin’. Will the Gherkin become the landmark they all dream of?
Chronicles the fate of Frieda Keller, a young seamstress in St. Gallen who, in 1904, is accused of murdering her 5-year-old son Ernstli.
A young man raises the dead in a high valley where the power is held by Violanta.
Robert Young brings his Marcus Welby alter ego to television for one last time. Having retired, the good doctor takes a trip to Europe alone and falls in love with an American divorcee who is caring for a blind dancer.
Out of paranoid fear of a nuclear disaster, an elderly couple isolates themselves from the outside world in their small suburban villa. An apocalyptic retreat told with a touch of humor that occasionally makes you shudder and smile at the same time. Will the couple find a way out of their isolation again? A chef who described the quarantine situation as early as 1970.
Sweet, 12 year-old Stefanie, played by child model Soraya Da Mota, dreams of attacking her parents with a flail.
This 1953 color film directed by Alan S. Lee and produced by Condor Films, Inc. of St. Louis for the Wabash Railroad Company features Barry Hopkins, Charles Flynn, Mina Kolb, and the personnel of the Wabash in a promotional travelogue that highlights the convenient offerings of the “Blue Bird” streamlined passenger line. The film features the songs, “You Can Bank on the Wabash” by Tom Hayes & Stan Kay and “Riding the Wabash Road” by Cy Elsmo.
