Shanghai Film Studio

A town in Fengjie county is gradually being demolished and flooded to make way for the Three Gorges Dam. A man and woman visit the town to locate their estranged spouses, and become witness to the societal changes.

300 years of a remarkable musical instrument. Crafted by the Italian master Bussotti (Cecchi) in 1681, the red violin has traveled through Austria, England, China, and Canada, leaving both beauty and tragedy in its wake. In Montreal, Samuel L Jackson plays an appraiser going over its complex history.

Fugui and Jiazhen endure tumultuous events in China as their personal fortunes move from wealthy landownership to peasantry. Addicted to gambling, Fugui loses everything. In the years that follow he is pressed into both the nationalist and communist armies, while Jiazhen is forced into menial work.

After Hero Hua marries Jade and leaves her in China, he goes to America to work as a servant and rebels against cruel labour conditions. Jade soon joins him in New York, where they build a family.

Based on a novel by the same name written by Gu Hua, a melodrama about the life and travails of a young woman who lives through the turmoil of the Cultural Revolution.

A sweeping, epic tale of a martial arts warrior who attempts to defy a kingdom to be with his love.

It is the late 1920s when six-year-old Yingzi and her family move to Beijing. As Yingzi explores the busy streets and alleys, she befriends a widow who, driven mad by grief, stands vigil at the entrance of her hutong, waiting for her missing daughter to return.

Ding Hui is a member of Purple Butterfly, a powerful resistance group in Japanese occupied Shanghai. An unexpected encounter reunites her with Itami, an ex-lover and officer with a secret police unit tasked with dismantling Purple Butterfly.

A Chinese prostitute weds, studies painting, and becomes a renowned artist and professor in Paris.

In 1937, after the Marco Polo Bridge Incident, the Second Sino-Japanese War breaks out. San Mao, a wandering orphan, joins the army to participate in the Battle of Shanghai.

Wreaths at the Foot of the Mountain is a 1984 Chinese film about the life of the soldiers in a PLA army company before, during and after the Sino-Vietnamese War.

Set in 1920s Shanghai, the film recounts the activities of a group of young Koreans trying to destabilize Japanese control of their penninsula. Through an anti-occupation terrorist campaign, the five men hope to inspire a resurrection throughout their penninsular homeland.

For 10 years, Ani, a young wife and mother, has sported the same hair style. She has a humdrum life and a platonic relationship with young Mr. Ahua, her hairdresser. She leaves home after he loses his job. There is love and new beginnings.

A humble noodle-maker in a remote Chinese province, Ermo feels that she's being taken for granted by family and friends. She decides the best way to impress them is to bring home the biggest, most expensive television set she can find - no matter how many noodles she has to peddle.

In 1980, Xu Jingshan, a wealthy Chinese-American businessman returns to China to find his son, Xu Lingjun, whom he had abandoned over 30 years earlier. Labeled a rightist because of his capitalist father, Lingjun has been forced to live as a humble herdsman on the grasslands. His bitter life has been transformed by a happy marriage to the wise and beautiful Xiuzhi, and more recently by his rehabilitation by the Party. When he goes to Beijing for their reunion, he discovers his father wants him to work for his chemical company in San Francisco. Lingjun tells the story of his life to his father, as he ponders his future.

The film is a powerful condemnation of the political radicalism of the Cultural Revolution and shows how ordinary people were victimized during a decade of turmoil.

This simple romance story does not mean much to westerners, and in fact, does not even mean anything to Chinese today, but it was a big thing when it was made, not long after the end of Cultural Revolution in which even the personal romance was restricted. This movie is one of the pioneers of personal liberalization in advocating people seeking out their love following their own hearts, not from other people.

In pre-revolutionary China, two young girls, Chunhua and Yuehong Xing, rise through the ranks of Chinese opera, but with their artistic success comes a new series of personal and social challenges. After they're sold to a Shanghai opera and the revolution dawns, Yuehong radicalizes and devotes her career to politically progressive performances, while Chunhua flees to avoid turmoil. As the world changes around them, they fight to maintain their friendship.

The film tells the story about the daughter of a Nationalist general who revisits the famous summer resort Lushan Mountain in Jiangxi province in 1980 and falls in love with the son of a senior general of the Chinese Communist Party.

Based on the famous novel of the same name by well-known author Ba Jin, this movie traces the decline of a large, wealthy family in the early part of the twentieth century. The story focuses on three brothers and how they respond to the expectation that they will each marry women whom their grandfather has selected for them. The lure of family money on the one hand and modern individualism on the other plays out differently among the young men. Critics consider this movie an indictment against feudal ideas.